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1

Miłosz: Self-Reflection as the Topic of a Poetic Description

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Stelmaszczyk B., University of Lodz F. o. P., barbara@uni.lodz.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2016

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vol. 38

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issue 8

EN

Czesław Miłosz’s poetry displays two reverberating topics which may be defined as contradictory existence and world experiences. One of those is the admiration for the beauty of the world and awe consequent upon capturing the simultaneous existence of individual entities (Amazement), whilst the other is the topic of the lack of fulfilment, torment, the feeling of lack of authenticity, blame, and shame (This).Miłosz depicted his “I” (represented by various personae), the split between individual consciousness, a strong sense of individuality, distinct from the commune of ordinary people (a strand salient in the pre-war volume Three Winters), at the same time nurturing a feeling of strong bonds with the society.The poet’s self-reflection holds for both topics, while the autobiographic discourse is orientated to the questions about the functions of the poetic language and about the status and sense of poetry, thereby addressing the self-topicality.

2

Miłosz: Self-Reflection as the Topic of a Poetic Description

100%

Stelmaszczyk B.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2016

|

vol. 38

|

issue 8

83-105

EN

Czesław Miłosz’s poetry displays two reverberating topics which may be defined as contradictory existence and world experiences. One of those is the admiration for the beauty of the world and awe consequent upon capturing the simultaneous existence of individual entities (Amazement), whilst the other is the topic of the lack of fulfilment, torment, the feeling of lack of authenticity, blame, and shame (This).Miłosz depicted his “I” (represented by various personae), the split between individual consciousness, a strong sense of individuality, distinct from the commune of ordinary people (a strand salient in the pre-war volume Three Winters), at the same time nurturing a feeling of strong bonds with the society.The poet’s self-reflection holds for both topics, while the autobiographic discourse is orientated to the questions about the functions of the poetic language and about the status and sense of poetry, thereby addressing the self-topicality.

3

„Promień ostry, który nas otwiera”. Światło w międzywojennej poezji Czesława Miłosza

55%

Amroziewicz M.

Poznańskie Studia Polonistyczne. Seria Literacka

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2019

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issue 36

259-288

EN

In Czesław Miłosz’s poetry, light takes a special place. In my work, I have made an attempt to determine its role in the interwar poetry of the memberof the Żagary literary group, in which light takes various shapes which are often contrary to one another. One can look at them in search of not only a variability of artistic forms, but also for testimonies of the era and declarations of contemporary poetic worldview of the author of Three Winters (Trzy zimy). The clash with various interpretations of the word ‘catastrophism’ shows that light in Miłosz’s poetry leads far beyond the course of history.

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2 Acta Universitatis Lodziensis. Folia Litteraria Polonica

1 Poznańskie Studia Polonistyczne. Seria Literacka

2 Stelmaszczyk B.

1 Amroziewicz M.

1 University of Lodz F. o. P.

1 barbara@uni.lodz.pl

1 2019

2 2016

Miłosz: Self-Reflection as the Topic of a Poetic Description

Miłosz: Self-Reflection as the Topic of a Poetic Description

„Promień ostry, który nas otwiera”. Światło w międzywojennej poezji Czesława Miłosza