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EN
The central part of the article is an edition of two letters written by Tomasz Treter to the Bishop of Warmia, Szymon Rudnicki. These letters are noteworthy as a contribution to the history of the book in Warmia, because these letters are Treter’s intercession on behalf of booksellers and bookbinders from Braniewo. The letters reveal the behind-the-scenes mechanisms of regulating the book trade in Warmia; they show that in this region the interests of local booksellers and merchants coming from larger centres clashed; they mention the types of publications whose sale was most profitable.
PL
Najważniejszą część artykułu stanowi edycja dwóch listów napisanych przez Tomasza Tretera do biskupa warmińskiego Szymona Rudnickiego. Listy te są godne uwagi jako przyczynek do dziejów książki na Warmii, Treter wstawiał się w nich bowiem za księgarzami i introligatorami z Braniewa. Listy ujawniają zakulisowe mechanizmy regulacji handlu książką na Warmii, pokazują, że ścierały się na tych terenach interesy miejscowych księgarzy i kupców przybywających z większych ośrodków, wspominają też rodzaje książek, o handel którymi konkurowano.
EN
The article is dedicated to an attempt at reconstructing the early appearance of the tomb of king Bolesław I the Brave in the Poznań cathedral, destroyed in 1790. By referring to the discussion of the tomb’s founder and the changes in its shape, the author has focused on K. Stronczyński’s theory from 1887 that the chalcography by A. Mylius (1595) consolidated the early portrait of the king’s statue. The scholar was of an opinion that king Bolesław’s sculpture was modelled by the tomb of duke Henry II the Pious. The original of the portrait was created by Tomasz Treter, an artist born in Poznań who could have captured the state of the king’s statue around 1585 (a variant of the portrait was provided by S. Sarnicki in 1594).
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