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Colloquia Litteraria
|
2016
|
vol. 21
|
issue 2
69-79
PL
This paper deals with the issues of the genre of the 19th century folk songs. It begins with the reflexion on the works of Tomasz Zan, and then moves to describe melodie daurskie [Daursk Melodies].
EN
The author shows philomathism in Poland as a phenomenon of cultural memory, sustained thanks to the medium of literature and art as well as personal documents (of not historical research) and serving to strengthen the national community. The author of the article considers the relationship between national and local (regional) philomathism, the author reflects if the philomaths were a kind of geo-generation, a generation closely related to the places where they lived and carried out their activities, when and why the “geo” aspect was forgotten. The author analyzes several examples of philomathic understanding of the relationship with place, its nature, history, indigenous culture, civic life, e.g. the creation of grass-roots knowledge, a holistic approach to science. The article also raises the question of whether the philomathism of Podlasie, Kroże, Świsłocz, and Minsk existed and how it manifested itself in the Society’s statutes and in the biographies and experience of its members.
PL
Autorka pokazuje filomatyzm w Polsce jako fenomen pamięci kulturowej, podtrzymywanej dzięki medium literatury i sztuki oraz dokumentów osobistych (a nie badań historycznych) i służący wzmacnianiu wspólnoty narodowej. Rozważa relację filomatyzmu narodowego i lokalnego (regionalnego), zastanawia się, czy filomaci stanowili rodzaj geopokolenia, generację ściśle związaną z miejscami ich życia i działania, kiedy i dlaczego aspekt „geo-” został zapomniany. Autorka analizuje kilka przykładów filomackiego rozumienia związku z miejscem, jego naturą, historią, autochtoniczną kulturą, życiem obywatelskim, np. oddolne tworzenie wiedzy, holistyczny stosunek do nauki. W artykule pojawia też pytanie, czy istniał filomatyzm podlaski, krożski, świsłocki, miński i jak przejawiał się w ustawach Towarzystwa oraz w biografiach i doświadczeniu jego członków.
EN
Summary The author of this article makes an attempt at analysing the space of the Ural Mountains and Siberia and the identity of an exile, based on exile correspondence of Tomasz Zan and his memories described in his diary from exile. The article is focused on three representations of space mentioned in Zan’s reports – Orenburg, mountains and steppes, constructed based on the “one’s own – foreign” dichotomy. Orenburg as a projection of an empire and one of tools of colonial policy used by Russia is juxtaposed with the image of the mountains and steppes, which the exiled person identifies with and which specify his subjectivity. The article also discusses the issues connected with the complicated “me – different”, “colonizing – colonized” relations, on the example of Zan’s contact with Russians and Asian tribes.
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