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A new double foundation deposit in the Hathor Shrine of Tuthmosis III at Deir el-Bahari

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Beaux N., Caban M., Wieczorek D. F.
Polish Archaeology in the Mediterranean
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2018
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vol. 27(2)
51-70
EN
A double foundation deposit was found in the souteastern part of the Tuthmosis III Hathor shrine at Deir el-Bahari. The architectural features, a pit with a niche at the bottom, confirm the dating of both of these deposits to the times of Tuthmosis III. An original feature of the southeastern one is the initial circular cavity changed into a semicircular one by the building of a mud-brick wall in the east. Several courses of mud bricks built up the rim of the pit above the rock-carved cavity. The whole structure was plastered inside with mud plaster. The bricks were mostly reused from the Middle Kingdom structure of Mentuhotep II. The content, although disturbed, still consists of organic offerings as well as ceramics, but no inscribed material.
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The iconography of co-rule at Deir el-Bahari: Hatshepsut and Tuthmosis III in the Statue Room of the Main Sanctuary of Amun

75%
Sankiewicz M.
Polish Archaeology in the Mediterranean
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2015
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vol. 24(2)
161-168
EN
Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the side walls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deir el-Bahari. Iconographic analysis reveals the relationship between the two rulers, demonstrating the different and discreet ways in which Hatshepsut emphasized her dominant position and Tuthmosis’s secondary one during their co-rule. The quality of the representations is just as crucial as their number for understanding their relationship. Hatshepsut used among others the symbolism of the cardinal points, orientation of figures and the hierarchy of attributes to emphasize the difference in their positions. The four scenes in question are the most representative examples of these fixed rules in the Deir el-Bahari temple.
3
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More remarks on the enlarged doorway in the Djeser-akhet temple of Tuthmosis III at Deir el-Bahari

75%
Wiercińska J.
Polish Archaeology in the Mediterranean
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2017
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vol. 26(1)
229-238
EN
The issue of the enlargement of the entrance to the Bark Hall of the Djeser-akhet temple of Tuthmosis III at Deir el-Bahari was a major focus for the Polish restoration mission from the start. The widening of the passage was noted early on in the research and new data was forthcoming with every successive field season as the decoration of the entrance wall on either side of the Hypostyle Hall and of the Bark Hall was reconstructed. More detailed information continued to add to the recreation of the process of how and when these changes were introduced, as discussed by the author in earlier articles. Further fragments of relief decoration identified in recent years as originating from the cut sections of the walls have offered new data to supplement the author’s view, being at the same time a significant source of information on the original decoration predating the destruction phase in the Amarna period.
4
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Deir el-Bahari. Temple of Tuthmosis III, campaigns 2012–2013

75%
Dolińska M.
Polish Archaeology in the Mediterranean
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2015
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vol. 24(1)
257-264
EN
In 2012 and 2013 the mission continued research and documentation work, concentrating on scenes located in the Hypostyle Hall, the Bark Room, and rooms D, G and H. Dozens of painted stone fragments were cleaned and protected. Photoscanning techniques were used to improve detailed rendering of the temple. New photomontages were produced and subsequent walls were drawn, joining previously separate scenes.
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