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EN
The main object of analysis in this article is the doubly understood category of theatricality, which organizes Norwid’s reflections in the dramatic diptych titled Tyrtej–Za kulisami, and to demonstrate the influence of Norwid’s experiences with theatre on the development of the category of theatricality in these dramatic works. The poet recorded his remarks about theatre in critical writings and art. This article proposes two ways of reading his plays. The first assumes that the described events are realistically motivated because they take place in the space of nineteenth-century theatres in Warsaw and other European countries. The second involves interpreting the metaphorical and parabolic senses in the diptych, with special emphasis on passages from Dedykacja.
EN
The main object of analysis in this article is the doubly understood category of theatricality that organizes Norwid’s reflection in a dramatic diptych called Tyrtej–Za kulisami. The present study study shows the influence of Norwid’s contacts with the scene on the shaping of theatricality in the examined plays. The poet recorded his theatrical experience in his critical writings and artistic pieces he conveyed it in his paintings and designs. The article presents two proposals of reading theatrical plays. The first assumes that the described events are realistically motivated because they take place in the space of the 19th century theatres of Warsaw and other European countries. The second proposal involves interpretation of metaphorical and parabolic senses inscribed in the diptych, with special emphasis on the extracts of Dedykacja.
PL
Przedmiot analizy w niniejszym artykule stanowi podwójnie rozumiana kategoria teatralności, która organizuje Norwidowską refleksję w dyptyku dramatycznym Tyrtej-Za kulisami. W tekście wskazano wpływ kontaktów Norwida ze sceną na kształtowanie teatralności w analizowanych dramatach. Swoje doświadczenia teatralne zapisywał poeta w tekstach krytycznych, utworach artystycznych, a także transponował je na obrazy i szkice. Artykuł przedstawia dwie propozycje lektury Tyrteja i Za kulisami. Pierwsza opiera się na założeniu, że przedstawione zdarzenia mają realistyczną motywację, ponieważ rozgrywają się w przestrzeniach dziewiętnastowiecznych teatrów warszawskich oraz europejskich. Druga polega na interpretacji metaforycznych i parabolicznych sensów wpisanych w dyptyk, ze szczególnym uwzględnieniem fragmentów Dedykacji.
EN
The text is a review of the book entitled Poeta i myśliciel. Rozprawy i szkice o Norwidzie (A Poet and a Thinker. Studies and Sketches on Norwid) published in 2013. The book was prepared in the Center for Studies of Cyprian Norwid’s Work of the Catholic University of Lublin as the 17th item in the series “Studia i monografie” (“Studies and monographs”); it contains 13 texts written by Tadeusz Makowiecki who lived in the years 1900-1952, concerning the issues connected with the person of Norwid, with his work and its reception. The studies and sketches contained in the book were published in the years 1926-1952, but until now they were scattered in various publications. The material was collected and edited by Edyta Chlebowska and Włodzimierz Toruń. Among Makowiecki’s works published in the book texts are found with a critical character: a review of Zofia Szmydtowa’s publication Norwid wobec tradycji literackiej; an opinion about reception of the poet’s works – Z batalii o Norwida; short sketches touching the poet’s biography: T.T. Jeż a Norwid, in which the author investigated may be the first case of the poet’s life influencing literature; and Z lat szkolnych Cypriana Norwida; Makowiecki’s doctoral thesis Młodzieńcze poglądy Norwida na sztukę; articles bringing up the questions connected with the poet’s social-political views: Norwid wobec powstania styczniowego, Norwid a rok 1848; a synthetic disquisition Norwid myśliciel; the text Stygmat ruin w twórczości Norwida, referring mainly to some aspects connected with the presence of ancient motifs in the poet’s works; and finally studies containing interpretations of particular poems: “Promethidion Norwida a “Dworzanin” Górnickiego, Promethidion, Za kulisami “Tyrteja” (together with Irena Sławińska) and Fortepian Szopena. Makowiecki’s “Norwidian” works were read and appreciated even earlier, among others by Konrad Górski and Marek Buś. Despite the flow of time a considerable number of the Norwidist’s observation have not become out of date.
EN
The text is a review of the book entitled Poeta i myśliciel. Rozprawy i szkice o Norwidzie (A Poet and a Thinker. Studies and Sketches on Norwid) published in 2013. The book was prepared in the Center for Studies of Cyprian Norwid’s Work of the Catholic University of Lublin as the 17th item in the series “Studia i monografie” (“Studies and monographs”); it contains 13 texts written by Tadeusz Makowiecki who lived in the years 1900-1952, concerning the issues connected with the person of Norwid, with his work and its reception. The studies and sketches contained in the book were published in the years 1926-1952, but until now they were scattered in various publications. The material was collected and edited by Edyta Chlebowska and Włodzimierz Toruń. Among Makowiecki’s works published in the book texts are found with a critical character: a review of Zofia Szmydtowa’s publication Norwid wobec tradycji literackiej; an opinion about reception of the poet’s works – Z batalii o Norwida; short sketches touching the poet’s biography: T.T. Jeż a Norwid, in which the author investigated may be the first case of the poet’s life influencing literature; and Z lat szkolnych Cypriana Norwida; Makowiecki’s doctoral thesis Młodzieńcze poglądy Norwida na sztukę; articles bringing up the questions connected with the poet’s social-political views: Norwid wobec powstania styczniowego, Norwid a rok 1848; a synthetic disquisition Norwid myśliciel; the text Stygmat ruin w twórczości Norwida, referring mainly to some aspects connected with the presence of ancient motifs in the poet’s works; and finally studies containing interpretations of particular poems: “Promethidion Norwida a “Dworzanin” Górnickiego, Promethidion, Za kulisami “Tyrteja” (together with Irena Sławińska) and Fortepian Szopena. Makowiecki’s “Norwidian” works were read and appreciated even earlier, among others by Konrad Górski and Marek Buś. Despite the flow of time a considerable number of the Norwidist’s observation have not become out of date.
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