Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 4

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Ukrainka
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
The article presents the relationship between the drama of Larysa Kosach (Lesya Ukrainka) and philosophy of Friedrich Nietzsche. This connection is to show the crisis of Christian philosophy, which European culture faced at the turn of the 20th century. One of the significant roles was played by the Paul the Apostle, who often appears in Lesya Ukrainka’s drama and is the reason for polemics with the New Testament’s vision of the religion, the concept of the state and social order. The similarity with Nietzsche’s philosophy here is striking, because in both cases the “Good News” of the Saint of Tarsus is interpreted not only in opposition to the teachings of Christ, but first and foremost as the factor in early Christianity, which contributed to strengthening Christian morality consistently controverted by Nietzsche and Lesya Ukrainka.
EN
The article deals with a stereotypical perception of Lesya Ukrainka drama Blue Rose as an experimental and somewhat incomplete work. The main thesis of the text is: the drama fits into the context of European dramaturgy of the late 19th – early 20th century and is consonant with the aesthetic searches of symbolists. The author analyses the motive of hereditary insanity, psychology drama, including fears of the protagonist, autobiography of work, and makes a comparison between interpretations of love themes in Lesya Ukrainka and Dante, and in Lesya Ukrainka and Russian symbolists (A. Blok, A. Bely). The basis for drama philosophy of two worlds was made through the establishment of platonic love doomed to end in tragedy in an imperfect world. The activation of a Middle Ages discourse allowed Lesya Ukrainka to do all the artistic discoveries, which later become the basis for the formation of symbolist theatre.
PL
W niniejszej pracy zostało poddane analizie ilościowej oraz jakościowej słownictwo, należące do kontekstu użycia haseł „Ukrainka” i „Ukrainiec” w celu wyod-rębnienia językowego obrazu Ukraińca w dziennikach prasowych z lat 2005–2010. Baza słów, które podlegały obserwacji, pozyskana została za pomocą dwóch narzędzi korpuso-wych: wyszukiwarki PLECRA, służącej do przeszukiwania Narodowego Korpusu Języka Polskiego, oraz programu Sketch Engine. Po analizie własnego korpusu ze słownictwem kontekstowym haseł „Ukrainiec” i „Ukrainka” wyodrębniono grupy tematyczne, nazywa-jące obszary ich użycia. Większość słownictwa (81%) okazała się neutralna tematycznie, nie miała nacechowania emocjonalnego. Najczęściej mieszkańców Ukrainy w badanej prasie przywoływano w kontekście sportowym (8%) oraz politycznym (5%). Negatywnie nacechowany opis pojawiał się tylko w kontekście historycznym (zaledwie 1%) oraz prze-stępczości (również 1%). W wyniku przeprowadzonego badania, bazującego na zasobach Narodowego Korpusu Języka Polskiego, stwierdzono, że w latach 2005–2010 w polskich dziennikach prasowych językowy obraz Ukraińca jest w zdecydowanej większości neu-tralny, najczęściej ukazywany w kontekście sportowym.
EN
In this paper, a quantitative and qualitative analysis of the vocabulary that belongs to the context of the use of the slogans “Ukrainian male” and “Ukrainian female” was analysed to distinguish the linguistic image of Ukrainians in press journals from 2005–2010. The database of words that were analysed was obtained using two corpus tools: the PLECRA search engine for searching in the National Corpus of Polish and the Sketch Engine program. After analysing the results with the contextual vocabulary of the terms “Ukrainian male” and “Ukrainian female”, thematic groups were distinguished, describing the areas of their use. Most of the vocabulary (81%) turned out to be thematically neutral and not emotionally marked. The inhabitants of Ukraine were most often mentioned in the surveyed press in the context of sports (8%) and in a political context (5%). Negative descriptions appeared only in a historical context (only 1%) and in the context of crime (also 1%). As a result of the study, based on the resources of the National Corpus of the Polish Language, it was found that in the years 2005–2010 in Polish press journals the linguistic image of Ukrainians was mostly neutral, and was most often shown in a sports context.
EN
The present article analyses the lyric and epic poetry of Lesya Ukrainka. Emphasis is put on the fact that all the works of the poet reveal her epic talent, but that the transition to lyric and epic, with the introduction of dramatic moments, and dialogues, gave the poems a tragic, dramatic perception of the world with a clear lyrical colour. The ideas of asceticism, sacrifice for the humankind and the establishment of justice, love of country is defined as one of the leading characteristics of Lesia Ukrainka. It is concluded that the poet was constantly in the international sphere, as she called for justice, brotherhood, freedom – as the highest ideals of peaceful coexistence of nations.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.