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EN
This article discusses the issues of narratology of memory in Stanislaw Vincenz's novel-cycle 'Na wysokiej poloninie', which, along with genology, rhetoric and other related issues, forms part of Vincenz's multi-aspect mnemology. The way the narrator is structured and the narrative structures appearing are viewed in terms of the memory category which fulfils certain determined functions therein. The several narrative subjects (the author/narrator and the characters acting as narrators) allows one to speak of a common universal category of narrator as a 'poviastun' (story-teller), i.e. a person with a certain memory at his or her disposal, performing acts of recollection/story-telling (or, recollection/poviastun-ing). The numerous memory narrations present in the Vincenz text imply multi-optional memory-based narrative strategies, being contemplated in the essay. In a mnemonological perspective, the poviastun becomes a narrative subject with his/her own 'mnemic experience'; story-telling/poviastun-ing becomes identified with narrative acts of recollecting, whereas the story (or, the 'tidings') assumes the form of a mnemic text being proper with prose of memory.
Ruch Literacki
|
2009
|
vol. 50
|
issue 3(294)
219-233
EN
This article is concerned with the functioning of myths in the life of the Hutsuls, an ethnic group of the Eastern Carpathians, and especially the unity, renewal and remembrance of the Hutsul myths in the process of cultural anamnesis. The primary source of this study is a literary record of the Hutsul myths and beliefs set down in the mode of memoir by Stanislaw Vincenz (1888-1971). While examining the Hutsul mythology of remembrance and forgetting, special attention is paid to aquatic mnemic symbols, the local equivalents of Lethe, Eunoe and Mnemosyne in their transcultural, universal significance.
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