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VLADIMIR VYSOCKIJ V SLOVENSKÝCH A ČESKÝCH PUBLIKÁCIÁCH

100%
Spodniaková Z.
Slovenské divadlo (Slovak Theatre)
|
2016
|
vol. 64
|
issue 2
117 - 135
EN
This study presents a bibliography of poem and song collections by Vladimir Semyonovich Vysotsky (1938–1980), a Russian actor and bard from the second half of the twentieth century, and publications dealing with him published either in the Slovak or Czech language from 1980 until present. It offers a survey of the translations of particular books and examines the source texts with regard to publication tendencies and editorial context in the original literary environment. It also explores publications consisting of thematically relevant translated and original materials about Vladimir Vysotsky. It follows the dramaturgy of publications, taking into consideration the tradition of translation of Vysotsky’s poetry by Milan Dvořák and Jana Moravcová into Czech and Lýdia Vadkerti-Gavorníková, Ľubomír Feldek and Ján Štrasser into Slovak, in books compiled and edited by Milan Tokár. Although the study focuses on seminal book publications, it also touches upon important magazine and journal publications of Vysotsky’s work and texts dealing with his legacy or personality.
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INTERPRETATION OF THE AUTHORIAL CREATION OF VLADIMIR VYSOTSKY ON CONTEMPORARY MOSCOW STAGES

88%
Spodniaková Z.
Slovenské divadlo (Slovak Theatre)
|
2018
|
vol. 66
|
issue 3
267 – 287
EN
The study presents an overview and analysis of contemporary Moscow productions inspired by the personality and work of the legendary Russian actor and poet of the latter half of the 20th century, singer and songwriter Vladimir Semyonovich Vysotsky (1938 – 1980). The author covers both the older productions which have been on the repertoires of theatres for several years and more recent productions staged this year on the occasion of the artist’s unlived 80th birthday. Researching on the productions by different theatre makers, staged by various theatres and drama ensembles, points at the importance and up-to-dateness of the creative legacy of Vladimir Vysotsky and at the significance of him as a personality that has become a legend and a component part of the cultural history of Soviet and post-Soviet eras. The productions constitute a significant part of the unwavering cult of his personality.
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