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RU
Article is devoted to studying a concept of all-unity, all-man (rus. всеединство, всечеловек) in the story The Ship Forest (Korabel’naya Chashcha) of the Russian writer Mikhail Prishvin. The idea of all-unity, of unity common to all mankind, peculiar to the Russian thought, has found expression in a symbol All-man (Весь-человек). The image-symbol is considered through a number of collective forms and personalities, its language form, conceptual filling, development of an image in the case of diaries of Prishvin is investigated. The author focuses on the problem of sectarianism in the Russian culture and radicalization of collective life at the beginning of the 20th century in the Bolshevism. As a method hermeneutical developments of Vardan Hayrapetyan in the field of the Russian folklore are applied. The symbol of the All-man corresponds to a mytheme of a first-man and with hermeneum the man of the world (the world person), embodying the archaic idea of rescue.
EN
The article is devoted to the search for a new space in the methodological studies on Russian literature. The author takes as its basis the method of hermeneutics  of words by Vardan Hayrapetyan. Especially the basic categories such as the world man (homo mundi), the Other and its variants: the self (rus. самость), otherness (rus. дру­гость), the alien (rus. чужесть) and two triads, which postulate two types of intellectual situations. In this regard, the author identifies the concept of the hybrid man of the hero of Russian literature in which a small person is a representative of an impersonal collective personality of the world man, home, family, ideas, etc. The author demonstrates the type of a hybrid man on the example of the protagonist of the novel by Vasily Shukshin Stepan Razin.
RU
The article is devoted to the search for a new space in the methodological studies on Russian literature. The author takes as its basis the method of hermeneutics  of words by Vardan Hayrapetyan. Especially the basic categories such as the world man (homo mundi), the Other and its variants: the self (rus. самость), otherness (rus. дру­гость), the alien (rus. чужесть) and two triads, which postulate two types of intellectual situations. In this regard, the author identifies the concept of the hybrid man of the hero of Russian literature in which a small person is a representative of an impersonal collective personality of the world man, home, family, ideas, etc. The author demonstrates the type of a hybrid man on the example of the protagonist of the novel by Vasily Shukshin Stepan Razin.
EN
In the article creativity of the Russian writer and the director in a context of three types of consciousness described in Russian hermeneutics of Vardan Hayrapetyan are considered. The revolutionary consciousness directed from thought to act, creates “progressive” aspect of interpretation of Shukshin. The conservative consciousness expressed in interpretation of the present in the past, shows archaic tendencies. At last, the mythic consciousness substitute the previous (prior) and the head (main) thing, reveals tendencies of creation of the myth that fi nds the refl ection in Shukshin’s texts of Razin.
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