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Категория телесности в лирике Веры Павловой: к вопросу о ее источниках

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Sadzińska E.
Acta Universitatis Lodziensis. Folia Litteraria Rossica
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2012
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issue 5
149-155
EN
The purpose of this article is an attempt to characterize the category of corporeality in the poetry by Vera Pavlova and to identify its sources. The analysis shows that this category is realized in different images and motifs, becoming the dominant poetics. In her works, the carnality is not limited to describing the man but it turns out to be an important, universal code that allows you to see the world in terms of unity and organicity. In this respect, Pavlova’s aesthetic exploration resembles the acmeist and – more distant – an ancient tradition.
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Современная русская поэзия на театральных подмостках. Поэтический спектакль „Вера Павлова. Стихи о любви”

100%
Sadzińska E.
Acta Universitatis Lodziensis. Folia Litteraria Rossica
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2013
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vol. Zeszyt specjalny 2013
69-78
EN
The article is devoted to the trilogy of Eduard Boyakov, artistic director of the Moscow theatre “Praktika” and artistic director of “Polytheatre”, based on the poems of contemporary Russian poets Yelena Fanaylova, Vera Polozkova and Vera Pavlova. The aim of this project was to show the dramaturgy of the poetry, the rhythm and intonation by means of scenic resources. The center of attention was the last part of the trilogy Vera Pavlova. Poems about Love and her three productions. The author tries to prove that poetic performances of Boyakov, on the one hand continue the tradition of poetry in the Russian theatre (Yuriy Lyubimov’s activity and the Taganka Theatre in the 1960’s), on the other hand – have shown the need and importance of poetry in broad cultural space, including theatre. The activity of Eduard Boyakov confirms that contemporary poetry is needed in theatre: it’s not only the renewal of the repertoire, but also of the whole theatre.
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