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EN
This article analyses the aspects of the lexical, stylistic and structural levels of Eight Nocturns from Władysław Sebała’s volume Egotic Concerto, which make up the musical idiom of the cycle. The analysis of its relationship with the eponimous musical genre, and especially with its realizations in Fryderyk Chopin’s work, is based on the categories developed within the poetics of the literary text, and by researchers dealing with the musical nocturn genre (Barbara Chmara) and, in particular, Chopin’s nocturns. (Mieczysław Tomaszewski, Charles Rosen).
PL
Artykuł stanowi propozycję analizy tych aspektów poziomu leksykalno-stylistycznego i strukturalnego Ośmiu nokturnów Władysława Sebyły z tomu Koncert egotyczny, które składają się na idiom muzyczny cyklu. Analiza ich związku z tytułowym gatunkiem muzycznym, a zwłaszcza z jego realizacjami w twórczości Fryderyka Chopina, opiera się zarówno na kategoriach wypracowanych w obrębie poetyki tekstu literackiego, jak i przez badaczy zajmujących się problematyką nokturnu muzycznego (Barbara Chmara) oraz, w szczególności, nokturnów Chopina (Mieczysław Tomaszewski, Charles Rosen).
EN
Myths are the general operators of mass imagination. There is a parallel between the world of politics and the world of literature, and this is why we can find some specific types of constructs of subjectivity and objectivity on both sides, which leads us to ascertainment that politicians and writers use some models of narration to create their own reality, values and models of world understanding. The main assumption of this paper is to equate the process of literary creation and usage of literary myths because both of them are used to deconstruct socio-political myths.
PL
The considerations focus on the category of melancholy – and boredom related to that – in the personal records (epistolographic, diary, aphoristic writing) of Władysław Sebyła and Franz Kafka. Their interpretation reveals biographies of writers determined by this category, which had a considerable impact on their literary paths as well. Life permeated with melancholy, which generally made daily existence difficult, gave one of the most original and moving in Polish and European literature testimony of struggle with himself and the world, and at the same time it disclosed a significant closeness of artists, which proves the main thesis of the article on shared spiritual biographies by Władysław Sebyła and Franz Kafka.
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