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EN
Alfred North Whitehead published no book or article strictly on aesthetics. Nonetheless, in his philosophical writings he mentions several times that aesthetic experience is the key to his metaphysics. In fundamental places of his philosophical system, moreover, he uses expressions like 'aesthetic experience', 'aesthetic fact', 'aesthetic unity', and 'aesthetic order'. These expressions do not, however, refer to human conscious experience alone, but to all entities of the universe. That has led some scholars to the conviction that these terms are used in a purely technical sense and therefore do not refer to the sphere of aesthetics. The author of the current article seeks to demonstrate that these terms do refer to the sphere of aesthetics. The argument set out here consists in three steps. In the first, the author presents Whitehead's philosophical method of imaginative generalization. In the second step, the author presents the fundamental ontological unit (the actual occasion) of Whitehead's philosophy, and points out that Whitehead describes it using aesthetic terms that are employed in a broad sense. In the third step the author presents Whitehead's view of aesthetic understanding. At the end of the article, it is demonstrated that although Whitehead did not develop his analysis of aesthetic understanding into a consistent theory, it forms the background to all his metaphysical books.
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The Narrative Event as an Occasion of Emergence

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EN
Some recent approaches to narratology have presented the event as a basic constitutive element of narrativity. The event is considered either a primitive term or something that just happens or may happen, a change from one state to another. The underlying concepts are identity, state, and being. The article describes the event in general and the narrative event in particular from the perspective of the primacy of becoming, change, and flow, employing especially Whitehead's philosophy of process and also certain concepts developed by reception aesthetics. The narrative event is analyzed in the context of the following concatenation: the event - interconnected events - plot - fictional world - the real world and its potentiality. The aim is to understand a narrative event not as an interruption of the receptive flow, but as its change of course among levels of emergence.
Filozofia (Philosophy)
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2019
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vol. 74
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issue 7
556 – 570
EN
The aim of this paper is to outline the historical context of Whitehead’s philosophical work with a special focus on the comparison to classical pragmatism. The paper is divided in two main parts. The first part deals with the characterization of process philosophy in general, especially with Whitehead’s version of this philosophical movement, and contrasts it to traditional (substantial and mechanistic) philosophies. The second part examines some important common features of Whitehead’s process philosophy and James’ and Dewey’s classical pragmatism. The most important point of connection of their philosophical work is the concept of experience. It is also important to mention that for all of them the common epistemological basis is radical empiricism (or naturalistic empiricism in case of Dewey) and the ontological assumption of (some form of) realism.
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