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Prawa, obowiązki i samoświadomość zamężnej, koczowniczej Cyganki

100%

Bessonov N.

Studia Romologica

2014

vol. 7

11-38

Till now, a state of nomadic Romani women has been described only from a position of an external observer. The author supposes that narrative sources should be used more actively. To actualize this concept he studies recollections of nomadic life, focusing on Romani women’s traditional ways of earning, such as fortune-telling and begging, and their main value – a family. The article shows how Romani women used to risk for husbands and children. They had to take the initiative and to show mother with every day to feed themselves and their relatives. At the same time, married Romani women lived at the mercy of patriarchy. That created the basic paradox of their lives. Gypsy fortune tellers had real economical independence. Outside of families they looked as free women, but inside they uncomplainingly received whipping. The author want to show subjects that are hardly shown in special literature at the moment. Particularly, he writes about the fact that Romani women have actively taken part in a fight against Nazism during the World War II. Another little known subject is women’s literacy. Though most nomadic Romani women couldn’t read, but indeed exclusions existed. It is interesting, too, such a fact as Romani women could get a high social status with an elderly age, so that men take into account their opinion in traditional court. Sometimes, as it can be seen from examples, families were named for female ancestors. The author studies also psychological possibilities used by Gypsy wives to affect their husbands’ decisions.

#TROPY#FEMINIZM

45%

Szuba A.

DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

2018

vol. 25

88-107

#tropy#feminizm The contemporary media message can be perceived in two perspectives: an active one, in which women perform a role of journalists and editors, and a passive perspective, in which they become a part of media mes- sage. The latter aspect is the most controversial for many reasons. Walter Lippmann defines a stereotype as an image created in the mind which al- lows a subordination of a certain fragment of reality a priori. The media’s visible, negative influence on women has them create a reality beyond the boundaries of acceptance, presenting it in a way the audience expects. A new kind of feminism appears, i.e. one which answers the receiver’s needs (succumbing to the expectations and exposing to the view), and a question appears – whether in the time of the feminist legacy, thereby changes resulting from the development of the media, feminists should gain their own unique style? In a way this begins to happen. Due to the development of the media, women gained an unrestricted possibility to express their views, and the reception and availability of the media lifts the restrictions and causes an inconspicuous person to please and sweep the crowd and his or her voice to be impossible to be ignored in the discourse.

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1 DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

1 Studia Romologica

1 Bessonov N.

1 Szuba A.

1 2018

1 2014

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Prawa, obowiązki i samoświadomość zamężnej, koczowniczej Cyganki

#TROPY#FEMINIZM