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ARS
|
2018
|
vol. 51
|
issue 1-2
69 – 79
EN
In 2016, Magdaléna Nespěšná Hamsíková published her monograph Lucas Cranach and the Art of Painting in Bohemia (1500–1550), covering the reception of Lucas Cranach in the Lands of the Bohemian Crown. Shortly after the publication of her monograph, certain new findings and connections have surfaced that require the topic of Cranach and Bohemia to be reopened. Most importantly, it now appears that one of the most important works of Cranach’s career, the painting Law and Grace (National Gallery in Prague) was commissioned in Bohemia or Moravia, or reached here shortly after it was created. This is suggested primarily by the thematic concept of the artwork, which was met with a weak response in the German Lutheran milieu. In contrast, the composition was very well received in the religiously diversified community of the Lands of the Bohemian Crown, especially in circles influenced by Utraquism. It is among these that we would look for the donor of the painting.
EN
On 17th of May 2013 the workshop with presentations on the long-distance aerial survey in archaeology, its methods and options took place in the premises of the Institute of Archaeology in Nitra. International cooperation and exchange of experience in this field has a long tradition. Aerial archaeology, this one of the most important prospection methods, achieves currently an unprecedented progress in connection with the development of techniques and technology. The seminar program reflected diversity and various options of the aerial prospection with regard to the used data collection devices and evaluation options. The seminar was held under the auspices of the currently ongoing project CULTURE – Archaeo - Landscapes in which also the working group of the Institute of Archaeology in Nitra is included.
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