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EN
The article is dedicated to the poems of Wojciech Mier, a forgotten Enlightenment poet who was known for his cutting remarks towards various characters and personalities of Warsaw public and social life in the second half of the 18th century. The author pays particular attention to the works whose themes are inspired by observation of the salon and which are addressed mainly to women. The considerations aim at throwing light on, how much the poet was teasing frequent visitors of the salon by his ready pen. The article presents as well the collection of flaws that were usually used as the subject of criticism by Rococo writer in his poems. Moreover, the author pays attention to the works which on the one hand are characterized by their ambiguous meaning and intention which cannot be defined precisely but on the other hand show that their author perfectly mastered the art of being malice.
PL
Celem artykułu jest ukazanie portretu Wojciecha Miera wyłaniającego się z poezji jemu dedykowanych, b ądź zawierających wzmianki o nim. Analizie zostały poddane wiersze Stanisława Kostki Potockiego, Ignacego Potockiego, Wincentego Dunina, Stanisława Trembeckiego oraz poezja anonimowa doby Oświecenia. Zaakcentowane zostały poglądy poetów na umiejętności literackie starościca buskiego, jego talent oraz wybory estetyczne, jakich dokonywał w swoich poezjach. Poruszony został również obraz filozoficznych przekonań W. Miera, jaki został utrwalony w omówionych utworach, ze szczególnym uwzględnieniem rysu libertyńsko-epikurejskiego jego światopoglądu.
EN
Article’s aim is to present Wojciech Mier’s profi le emerging from poetry dedicated to or mentioning him. Analysed were poems of Stanisław Kostka Potocki, Ignacy Potocki, Wincent Dunin, Stanisław Trembecki and anonymous poetry of Enlightment. Stressed were poets’ views on literary skills of Busko’s starosta’s son, his talent, aesthetic choices made in his poetry. Mentioned were also Mier’s philosophical beliefs perpetuated in elaborated works with particular consideration of libertine-epicureic feature of his world-view.
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