The article is an analysis of a text by a well-known Polish mountaineer in the context of „mountain” literature (mountaineering, climbing). It is a specific subcultural literature that sits between non-fiction and autobiographical literature, written by mountaineers for mountaineers and lovers of this specific sport. The text points to the uniqueness of Chinese maharaja within the ranks of typical mountaineering literature (creative narrative, specific worldview, broad audience).
The article is an analysis of a text by a well-known Polish mountaineer in the context of „mountain” literature (mountaineering, climbing). It is a specific subcultural literature that sits between non-fiction and autobiographical literature, written by mountaineers for mountaineers and lovers of this specific sport. The text points to the uniqueness of Chinese maharaja within the ranks of typical mountaineering literature (creative narrative, specific worldview, broad audience).
The article is an analysis of a text by a well-known Polish mountaineer in the context of „mountain” literature (mountaineering, climbing). It is a specific subcultural literature that sits between non-fiction and autobiographical literature, written by mountaineers for mountaineers and lovers of this specific sport. The text points to the uniqueness of Chinese maharaja within the ranks of typical mountaineering literature (creative narrative, specific worldview, broad audience).
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