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„Ближайшая станция европейской культуры…”: полонофилия 60-х годов

100%

Vorontsova K.

Studia Rossica Posnaniensia

2019

vol. 44

issue 2

5-14

The article attempts to trace the sources of “polonophilia” in the Soviet culture of the sixties and to consider the strategies of the representation of the Polish text in Russian literature after the Khrushchev Thaw on the material of Stanislav Kunyaev, Boris Dubrovin and Emil Janvarev’s poetry. The special influence on the formation of the geo-cultural image of the Polish People’s Republic in this period is discussed in the context of Polish cinema (in particular Andrzej Wajda’s film Ashes and Diamonds).

Budowanie warsztatu aktora (casus Zbigniewa Cybulskiego)

67%

TOKARCZYK J.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2016

vol. 19

issue 28

171-184

Building the at of acting (casus Zbigniew Cybulski) 2017 brings two important anniversaries: the 90th anniversary of the birth (1927) and 50th anniversary of the death of Zbigniew Cybulski, Polands foremost actor of the 1960s and the hero of his time. His image (dark sunglasses, leather jacket, worn jeans and sneakers and ever-present backpack) was imitated by thousands of Poles. For Cybulski one of the most important means of expression were gestures. This was very important in one of Cybulskis first films - Ashes and Diamonds. Cybulski developed his arsenal of acting expression in subsequent films, including: Night Train, See you tomorrow, No more divorces, The Saragossa Manscript, Salto, The Codes, Jowita.

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1 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

1 Studia Rossica Posnaniensia

1 TOKARCZYK J.

1 Vorontsova K.

1 2019

1 2016

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„Ближайшая станция европейской культуры…”: полонофилия 60-х годов

Budowanie warsztatu aktora (casus Zbigniewa Cybulskiego)