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The DSM as a Moving Laboratory: The Role of the Diagnostic Manual in the Stabilizing and Objectivization of Pharmaceutical Reason

100%
Wróblewski M.
Polish Sociological Review
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2015
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vol. 189
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issue 1
85-106
EN
The aim of this article is to trace the paradigm shift that occurred in psychiatry in the 1970s. This change had a key impact on the social perception of health and illness. The theoretical framework of the text is actor-network theory (ANT) and science and technology studies (STS), which deal with the influence of technoscience on society. Using the model of laboratory practice produced within their framework, I attempt to show how the creation of a new diagnostic manual resembled constructing an innovation in a special environment for the purpose of achieving replicable results and controlling the invention’s operation outside the context of creation. In the second part of the text I will deal with the new medical rationale, defining the concept of ‘pharmaceutical reason’ and linking its model of human health with the process of biomedicalization. At the end I cite research referring to the use of the diagnostic manual in medical practice.
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Kondycja socjologii muzyki w Polsce. Przeszłość, teraźniejszość i perspektywy

67%
Socha Z.
Przegląd Socjologiczny
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2015
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vol. LXIV (64)
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issue 3
85-111
PL
Podstawowym celem tekstu jest prezentacja i próba klasyfikacji dorobku socjologii muzyki w Polsce na tle socjologii. Ponadto tekst ma na celu przyjrzenie się prawidłowościom jej rozwoju oraz podjęcie próby wyjaśnienia przyczyn aktualnego stanu rzeczy. Omówione zostały zastane w literaturze diagnozy kondycji socjologii muzyki, kontakty i obecność międzynarodowa badaczy, ich więzi i platformy dyskusji oraz prowadzenie dydaktyki. Informacje zawarte w niniejszym tekście są efektem ponad dwuletnich badań, na które złożyły się pogłębione kwerendy biblioteczne, analizy zebranych tekstów oraz seria wywiadów z badaczami. Do podsumowania sytuacji socjologii muzyki w Polsce wykorzystano krążeniowy model B. Latoura.
EN
First aim of a text is to present the state of sociology of music in Poland in the context of development of sociology in Poland. Second, is to interpret it in sociological terms and attempt to explain mentioned underdevelopment’s reasons. The text is summary of library queries, publication analysis and conducted by the author interviews with 25 researchers. There has been applied a model of idea circulation in science from Bruno Latour’s work to review and explain the situation of sociology of music in Poland.
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