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Witold Gombrowicz wśród Czechów

100%

Kardyni-Pelikánová K.

Przegląd Humanistyczny

2015

vol. 59(2 (449))

139-151

The paper is a review of the Czech utterances and opinions about Gombrowicz. It opens with a very short utterance of an outstanding Czech specialist in Polish studies, professor Karol Krejči made in 1953, in the times of orthodox Marxism (however in this case Krejči was not influenced by it) through the utterances of the Prague Spring time of 1968 (O. Bartoš), the period of silence about him in the era of the so-called normalization era of Husak’s times to the fashion for Gombrowicz after 1989 and frequent and numerous translations of his works. Today nearly all works of Gombrowicz as a diarist, novelist, playwright and even philosopher are available in the Czech Republic. His works were also performed on the local stage – more or less successfully.

The Cult ural Legacy of Mary Shelley’s Frankenstein

67%

Weseliński A.

Zeszyty Naukowe Uczelni Vistula

2018

issue 58(1) Filologia

5-17

Shortly after the publication of Mary Shelley’s novel, its eponymous character, Victor Frankenstein, and the unnamed creature, often referred to as “Frankenstein”, gained iconic status. Initially, the Creature and his Creator became thriving figures of popular culture through the many theatrical versions produced in the 19th century. The advent of film in the 20th century contributed enormously to the circulation of Frankenstein as a cultural icon, in general, and the dissemination of the myth of a mad scientist, in particular. The aim of this paper is to explore the many representative manifestations and the development of one of the enduring icons of modern culture.

Tytułowa postać powieści Mary Shelley – Wiktor Frankenstein – oraz postać bezimiennego potwora, określanego w potocznym obiegu również jako „Frankenstein”, uzyskały status ikony kulturowej wkrótce po ukazaniu się powieści drukiem (1818). Początkowo, obydwie postaci zdobyły popularność dzięki dziewiętnastowiecznym adaptacjom teatralnym. W XX wieku, liczne ekranizacje powieści przyczyniły się do rozpowszechnienia mitu Frankensteina jako szaleńca-naukowca. Celem artykułu jest zbadanie kulturowej spuścizny powieści i funkcjonowanie mitu kulturowego Frankensteina we współczesnym świecie.

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1 Przegląd Humanistyczny

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1 Kardyni-Pelikánová K.

1 Weseliński A.

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Witold Gombrowicz wśród Czechów

The Cult ural Legacy of Mary Shelley’s Frankenstein