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EN
According to Chantal Mouffe’s conception of agonistic pluralism I will analyse the role which one of Jenny Holzer artwork plays in hegemonic struggle. Lustmord. is the work produced in 1993 as an example of undermining the memory discourse about military action during Bosnian War. The artist places violence against women into the centre of war strategy thereby giving voice to the victims rather than to the winner. I hope to find out if Lustmord creates an agonistic dimension of public space.
EN
The aim of the article is to present the idea of politics that has been developing in the modern approach since the Enlightenment in the context of the concepts of agonism and antagonism in the view of the Belgian philosopher Chantal Mouffe. The research material will be constituted by Croatian political writings (mainly from the nineteenth and twentieth centuries), which is the field where the authors have developed local versions of the dominant conceptions of politics, indicating its purpose, scope, and social role in relation to local conditions. Following changes taking place within the concept of politics allows to demonstrate how the idea of political agon and agonistics, understood as an area of fundamental social and cultural conflict, has developed within the Croatian cultural context.
PL
Celem artykułu jest zaprezentowanie idei polityki rozwijającej się w nowoczesnym ujęciu od czasów oświecenia w kontekście pojęć agonizmu i antagonizmu w ujęciu belgijskiej filozofki Chantal Mouffe. Za materiał badawczy posłuży chorwackie piśmiennictwo polityczne (głównie z XIX i XX wieku), będące polem, na którym autorzy rozwijali rodzime wersje dominujących koncepcji polityki, wskazując jej cel, zakres i rolę społeczną w odniesieniu do lokalnych uwarunkowań. Prześledzenie zmian zachodzących w obrębie idei polityki pozwoli zademonstrować, w jaki sposób na chorwackim gruncie rozwijała się idea agonistyki i agonu politycznego.
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