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Twórczość dominikanina Gabriela Zawieszki. Początki konceptyzmu w polskim kaznodziejstwie

100%
Kuran M.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
|
2019
|
vol. 53
|
issue 2
265-286
EN
The article presents the work of the Dominican preacher Gabriel Zawieszko (? – 1649). Each of his six collections of sermons is subordinated to the title metaphor, which (more or less) determines the inventional and compositional shape of individual volumes, individual sermons and arguments. Leopolita as the first Polish preacher so consciously and extensively applied the concept to sermons and entire collections, combining it with the exegesis of spiritual sense (sensus misticus). A similar way of forming collections of sermons is found in Poland only in the second half of 17th century.
PL
Artykuł przedstawia twórczość dominikańskiego kaznodziei Gabriela Zawieszki (? – 1649). Każdy z jego sześciu zbiorów kazań podporządkowany jest tytułowej metaforze, która (mniej lub bardziej) wyznacza kształt inwencyjny i kompozycyjny poszczególnych tomów, pojedynczych kazań i argumentów. Leopolita jako pierwszy polski kaznodzieja tak świadomie i szeroko zastosował koncept w kazaniach i całych zbiorach, łącząc go w wielowymiarowym wykorzystaniem w egzegezie sensu duchowego. Podobny sposób formowania zbiorów kazań spotykamy w Polsce dopiero w drugiej połowie XVII wieku.
2
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Paradoksy młodopolskiej alegorii

89%
Kielak D.
Prace Filologiczne. Literaturoznawstwo
|
2017
|
issue 7(10)
279-289
EN
The present sketch traces the process of verifying allegory which takes place in the Young Poland prose, in which authors use the images of sculptures. The interpretation of Pavoncello, a story by Stefan Żeromski, Chimera, a novel by Tadeusz Jaroszyński and The Angel of Death by Kazimierz Przerwa-Tetmajer allows to put forward a thesis that the allegorical function of sculptural works of art which appear in the presented world is challenged, whereas allegory understood as the compositional principle of a work is strengthened. Verification of allegory for the benefit of allegoresis is done by challenging the ‘semiogenic’ function of allegory and at the same time by appreciating it for defining trails of interpretation and universalizing meanings.
3
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Liturgia godzin w Liber officialis Amalariusza z Metzu

71%
Frontczak B.
Ruch Biblijny i Liturgiczny
|
2010
|
vol. 63
|
issue 1
EN
The paper analyzes the 9th century liturgy of the hours on the basis of the Liber officialis by Amalarius of Metz. The main issue is focused on reconstruction of order and prayers that may be found there. In each hour described by the author of the Liber officialis it is possible to find identical elements: explanation of prayer time, listing psalms, verses or other prayers, aim of each prayer and behavior of priest and congregation. Amalarius gave to all mentioned elements the allegorical interpretation.
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