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EN
The paper is devoted mainly to textual signals foreshadowing the final (and dubious) solution of the Jekyll-and-Hyde puzzle. The motif of duality will be discussed, as underlying mainly the way the characters of the novella are juxtaposed, thus suggesting a similar relation between the two eponymous protagonists. On the other hand, the space organization foregrounds inclusion rather than simple opposition (which is in concord with the explanations provided by Jekyll in his confession). These seemingly incompatible relations (inclusion and/or opposition) find their equivalent in Jekyll’s narration — especially in the use of personal pronouns by the narrator, illustrating the process of Hyde’s gaining independence together with the gradual disintegration of Jekyll’s self.
PL
Artykuł dotyczy swoistej „podwójnej” twórczości muzyków związanych z zespołem Neurosis i projektem Tribes of Neurot. Obie formacje tworzą ci sami artyści, płyty obu zespołów stanowią dwie, radykalnie różne wersje tych samych kompozycji. Materiałem badawczym jest tu relacja między płytami Times of Grace Neurosis oraz Grace Tribes of Neurot (1999). Obie płyty, choć niezależne, słuchane równocześnie stanowią niezwykle ciekawą nową wartość artystyczną. Artykuł skupia się na analizie brzmienia oraz swoistej „lustrzaności” kompozycji obu zespołów, której celem jest interpretacja artystycznych i światopoglądowych implikacji zabiegu zaproponowanego przez muzyków Neurosis.
EN
This paper concerns at ”doubleness” in work of Neurosis and Tribes of Neurot. The activity of both groups seems to be simultaneous: the same artists in the both bands, the same names of their albums, the same trakclists, similar cover designs suggest to treat it not as different ventures but as a significant dual artistic project. Parallel between simultaneous albums of Neurosis and Tribe of Neurot makes an impression of disturbing presence of unclear alterego in their music.
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