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EN
The article offers a detailed analysis of the poem “The Map” by Elizabeth Bishop. As the opening text of Bishop’s first collection and also of all the editions of her collected poems, the poem can be read as a statement of the poet’s creative principles. The close-reading of the poem stresses the importance of the various encounters examined in the poem: the map (and the poem) is seen as a border space where “the other” can be approached in a kind of creative dialogue in which a plurality of perspectives co-exists, no one is in complete control, and the perception of the other is seen as an open dynamic process which is never completed.
EN
The essay examines the role of primitive art and “non-artistic” genres in the works of the American poet Elizabeth Bishop. Bishop, similarly to other authors, believed that primitive artists and the authors of works which art not primarily intended as art can “naturally” achieve effects which artists have difficulties achieving intentionally. Bishop’s translation of The Diary of “Helena Morley” and its relationship to her own texts is examined to illustrate the point.
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