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Emerson’s Superhero

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EN
After offering some preliminary remarks on the notion of what makes a “captive mind,” the article shifts its attention to one of the most significant and yet relatively neglected early essays by Ralph Waldo Emerson, the essay “War.” This text, I argue, deserves not only to be considered the (largely forgotten) founding document of the American anti-war movement, but it remains important even today, as it sheds light on the inevitable contradictions and double-binds any serious movement against war and for social justice must face. It is a text, in other words, which helps us highlight some of the problems we run into-both conceptually and practically-when we try to free our minds from a given mindset, but we must still rely on a world that is pretty much the outcome of the ideologies, customs, and traditions we wish to transcend. To imagine a world free of violence and war is the age-old problem of how to change the world and make it “new” when the practical and intellectual instruments we have are all steeped in the old world we want to abolish. Emerson’s thinking provides a basis to unpack the aporias of what, historically speaking, the antiwar movement has been, both inside and outside the US.  The article concludes by examining some recent collections of US pacifist and anti-war writings, as providing useful examples of the challenges antiwar, and more generally protest movements, must face. 
PL
The text discusses the play about the last hours of life of the Rosenbergs titled Julius and Ethel, the history of the trial, passing the sentence and the execution of Julius and Ethel Rosenbergs carried out on June 19, 1953. Besides Senator Joseph Raymond McCarthy’s “witch-hunt”, this is the second most famous example of the American anti-communist atmosphere of the early 1950s, which led to the crisis of the democratic order and its institutions in the United States. The case took place at the beginning of the Cold War division of the world and the nuclear arms race, which put the world on the brink of selfdestruction. For the US radicals and the left-wing intellectuals, the Rosenbergs belonging to the US Communist Party are victims of the right-wing witch-hunt, creating anti-communist atmosphere, however they are also perceived as patrons of antiwar movements, precursors of the nuclear weapons opponents movement (the espionage, which they had never confessed to was to concern passing secrets about the US nuclear weapons programs to the Russians). For conservative America this will be a story about the efficiency of the legal, political and moral system facing a real threat in the fight against communism – dangerous for the entire civilized democratic world. How does the socialist realism work by Leon Kruczkowski appear against this background?
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