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Tvarosloví »Nemodlence« Karolíny Světlé

100%
VŠETIČKA F.
Bohemistyka
|
2020
|
issue 3
383-393
EN
In her last novel called Nemodlenec (1878), Karolína Světlá puts emphasis on the text composition with the focus on its centre and its climax. Besides the general layout, the prose writer uses synchronic scenes, natural background, dynamic props and deviation moment. From the character typology she uses the character of an intriguer, an anticipant and a Gemini pair. The whole novel is built on the convergent principle. Morphological relation to Karel Sabina, Alois Jirásek and Jakub Arbes.
CS
Karolína Světlá ve svém posledním románě Nemodlenec (1878) klade důraz na výstavbu textu, zdůrazňuje jeho střed a kulminaci. Vedle celkového rozvržení použí- vá prozaička synchronní scény, přírodní kulisy, dynamické rekvizity a deviačního momentu. Z typologie postav uplatňuje figuru intrikána, anticipanta a blíženců. Celý román je vystavěn na konvergentním principu. Morfologické příbuzenství s Karlem Sabinou, Aloisem Jiráskem a Jakubem Arbesem.
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Kříž u potoka Karolíny Světlé

100%
Všetièka F.
Bohemistyka
|
2017
|
issue 3
257-265
EN
In her novel Kříž u potoka (1868) Karolína Světlá applied a contrastive principle, which is seen mostly in the relationships between her characters. A part of this principle is represented by vertical space completed by a place of horror (locus horridus). The place of horror is twofold in this novel, the latter is related to the anticipant character (a holy old women). The novel is framed in two ways – in a mortal and a local way. The opening of the novel is represented by Vorgeschichte, while the rest of the story is covered in the superstitious time. 
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