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This article is focusing on the issue of the destruction of art works regulated by law in different historical periods. This overview is intended to demonstrate the continuity of the problems associated with the need to determine the legal status of older art in the transitional period between the following political and social systems. This elaboration draws the attention to the relationship between law, the preservation of art works, and the change of opinion on the role of religion as a regulator of social relations. Additionally, this article outlines the historical transformation of the way in which law regulated visual arts. It shows the connection between today’s disputes about images in the context of international war conflicts with the earlier religious changes on the European continent.
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