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Patrząc na obraz Adama Chmielowskiego Zawale

100%
Taranczewski P.
Estetyka i Krytyka
|
2011
|
issue 1(20)
179-187
EN
Using concepts drawn from the aesthetics of Ingarden, this article sets out to analyse the qualities and metaphysical values discernible in the structure of the well-known painting The Zawale, by Adam Chmielowski. The author considers what the work of art amounts to in qualitative terms, where this is taken to determine its coherence and completeness as a gestalt figure, as well as its artistic value.
2
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Walory artystyczne i treści ikonograficzne kościoła i klasztoru bernardynów w Krakowie

63%
Samek J.
Folia Historica Cracoviensia
|
2002
|
vol. 8
EN
The article discusses the artistic value and iconographic content of the Bernardine church and monastery in Krakow.
PL
Artykuł omawia walory artystyczne i treści ikonograficzne kościoła i klasztoru bernardynów w Krakowie.
3
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Obrazy i obrazki religijne w aspekcie wartości

51%
Królikowska A. M.
Opuscula Sociologica
|
2013
|
issue 1(3)
17-29
PL
Artykuł podejmuje temat obrazu religijnego i pochodnego od niego świętego obrazka w aspekcie zawartych i odczytywanych w nich wartości sakralnych, estetycznych i artystycznych. Za właściwą dla analizy zagadnień wiążących doświadczenie religijne z sensualistycznym uznana została perspektywa hermeneutyki fenomenologicznej. W artykule wykorzystano wywodzącą się od H.-G. Gadamera, a rozwijaną przez J. Tokarską-Bakir kategorię nierozróżnialności, oddającą zespolenie signans i signatum w odbiorze sztuki i w religii. Pozwala ona zobaczyć badaczowi, w jaki sposób rozpoznawane są w obrazie czy obrazku religijnym wartości sakralne i estetyczne.
EN
The article addresses the topic of a religious picture and small sacred pictures derived from it in the aspect of sacral, aesthetical, and artistic values contained in them and received by a recipient. The phenomenological hermeneutics have been considered to be a proper perspective for analysing questions that bind a religious experience with a sensual one. A category of non-distinguishness that renders the connection between signans and signatum in reception of art and present in religion, derived from H.-G. Gadamer and expanded by J. Tokarska-Bakir has been applied in the present paper. It allows the investigator to see how the sacral and aesthetic values are recognized in a religious painting or in a small sacred picture.
4
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Etiudy Andrzeja Brzozowskiego

45%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2011
|
vol. 9
|
issue 17-18
137-158
EN
  Marek Hendrykowski presents in his study the earliest fiction and documentary films made by Andrzej Brzozowski (1932-2005), excellent Polish filmmaker, 1971-2005 professor of the famous Film School in Łódź (PWSFTviT). “Sunflowers” (1953), “Escape” (1954/55), “Legend” (1957), “Jazz Talks” (1957) – these short films, preserved in the collection of Film School Archive, are almost unknown for wider audience in Poland and abroad. In the second part of his study Hendrykowski gives also an accessible overview of the historical evolution of the filmmaker through the close examination of another two outstanding short films made by him: By the Railway Track (1963) and Medallions (1966). Last two were adaptations of short stories written in 1945 by Zofia Nałkowska, a masterpiece of antinazi world lterature. The article deals with the most important values and close-reading thematic and stylistic areas of Brzozowski’s early works: those developing in the 1950’s and early 1960’s but having deep impact in the poetics of academic short film in Poland, whose form and course they have fundamentally redirected.
PL
Andrzej Brzozowski’s Film Etudes   Marek Hendrykowski presents in his study the earliest fiction and documentary films made by Andrzej Brzozowski (1932-2005), excellent Polish filmmaker, 1971-2005 professor of the famous Film School in Łódź (PWSFTviT). “Sunflowers” (1953), “Escape” (1954/55), “Legend” (1957), “Jazz Talks” (1957) – these short films, preserved in the collection of Film School Archive, are almost unknown for wider audience in Poland and abroad. In the second part of his study Hendrykowski gives also an accessible overview of the historical evolution of the filmmaker through the close examination of another two outstanding short films made by him: By the Railway Track (1963) and Medallions (1966). Last two were adaptations of short stories written in 1945 by Zofia Nałkowska, a masterpiece of antinazi world lterature. The article deals with the most important values and close-reading thematic and stylistic areas of Brzozowski’s early works: those developing in the 1950’s and early 1960’s but having deep impact in the poetics of academic short film in Poland, whose form and course they have fundamentally redirected.
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