Results found: 2

Search results

Search:
in the keywords: artworld

Sort By:

Limit search:

Does the Artist Need to Be Present? The “Paradigm of Visibility” and Art Practices in Public Space

100%

Białkowski Ł.

Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica

2017

issue 30

111-119

The thesis of my paper is that art participatory practices in public space have a paradoxical potential to avoid a paradigm of visibility. What I call the paradigm of visibility is a formula of social presence of art which is based on a necessity of occupying a certain physical or symbolical space and an effort to sustain it. This kind of public presence of art is traditionally considered to be a guarantee of its value in terms of both artistic and social legitimisation. A question arises if this formula has an alternative. It seems that participatory art practices in public space – focused on production of objects and searching for social impact and social efficacy – can formulate a different model of presence of art (of its production and distribution) than object-based art.

Contemporary Art or Contemporary Arts? Remarks on ”Le paradigme de l’art contemporain” by Nathalie Heinich

63%

Białkowski Ł.

Art Inquiry. Recherches sur les arts

2019

vol. XXI

85-97

Artykuł wskazuje kilka polemicznych uwag w stosunku do koncepcji “paradygmatu sztuki współ¬czesnej” przedstawionej przez Nathalie Heinich w książce Le paradigme de l’art contemporain. Structure d’une révolution artistique. Autor tekstu podważa zasadność budowania analogii po-między zmianami zachodzącymi w sztuce XX wieku a zmianą paradygmatu naukowego opisaną przez Thomasa Khuna w Strukturze rewolucji naukowych. Autor wskazuje również na niekom¬pletność modelu zaproponowanego przez francuską socjolożkę, która pomija w strukturze “pa-radygmatu sztuki współczesnej” działania artystyczne funkcjonujące poza obiegiem galeryjnym i instytucjonalnym.

This paper provides several polemic comments regarding the concept of the “paradigm of contemporary art” presented by Nathalie Heinich in her book entitled Le paradigme de l’art contemporain. Structure d’une révolution artistique. The paper questions the accuracy of the analogy between changes within artworld that took place in the 20th century and the structure of scientific revolutions discussed by Thomas Kuhn. The author also points to the incomplete¬ness of the proposal of the French sociologist, who neglects artistic activities that occur outside galleries and institutional art circles.

Refine search results

1 Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica

1 Art Inquiry. Recherches sur les arts

2 Białkowski Ł.

1 2019

1 2017

Search results

Does the Artist Need to Be Present? The “Paradigm of Visibility” and Art Practices in Public Space

Contemporary Art or Contemporary Arts? Remarks on ”Le paradigme de l’art contemporain” by Nathalie Heinich