Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  artyzm
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Idea krajobrazu Romana Brandstaettera w peregrynacjach włoskich

100%
Rzymska A.
Prace Literaturoznawcze
|
2015
|
issue 3
111-127
EN
Roman Brandstaetter mastered an original, comprehensive and consistent concept of landscape. During his several trips to Italy, Branstaetter developed a unique way of talking about his own feelings regarding space. Non-verbalised at first, these impressions were merely an intuition he acquired in the Holy Land. The Bible, certain trends of Jewish mysticism such as the idea of a mystical screen, pantheistic doctrine and most of all the idea of Szehina – the female aspect of God together with studies on the life of St. Francis of Assisi primarily influenced Brandstaetter’s concept of getting the feel of a place. The period of Italian travels inspired him to develop his own mature and original vision, which, at the same time, prepared a technique for writing a future novel Jesus of Nazareth.
2
Publication available in full text mode
Content available

John Lennon – człowiek i artysta niespełniony?

80%
Dorobek A.
Rocznik Towarzystwa Naukowego Płockiego
|
2020
|
vol. 12
43-72
EN
In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim ofthe childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife andavant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. The stages of his mature life/solo career are identfied as successive, logical cases of disenchantment: of personal, artistic, or even cognitive nature. The comparative context for this analysis is provided by the references to the biographies of Elvis Presley and Mick Jagger.
PL
Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniuszamuzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacjii przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W rezultacie ich związek, w znacznym stopniu wyidealizowany przez media, zostałukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i artystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Perspektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera.
3
Publication available in full text mode
Content available

„Blaski Miltonowskiego utraconego raju”. Obraz przeszłości w pisarstwie Henryka Sienkiewicza

80%
Adamek-Świechowska A.
Acta Universitatis Lodziensis. Folia Linguistica
|
2016
|
vol. 50
117-132
EN
The article deals with the analysis of the artistic and the ideological assumptions of the constructing the literary image of the past in point of view of Henryk Sienkiewicz in connection with his polemic against Włodzimierz Spasowicz in the context of the discussion of the 19th-century about the values of historical novel. In the theoretical declarations the author pays major attention to the hypnotic charm of the past which he named „the brilliane of Milton’s paradise lost” and references to the great poetry of romanticism. In the writer;s programme intentions the literary works should presented the ideological versions of the myth of the Polish past during the period of national slavery. Sienkiewicz focuses on subjective experiences of his fictional heroes, connects existential and historical dimensions of human life, looking for semantic mechanisms of history. The analysis of the writer’s outlook on life concentrating on the universal questions like the sense of life, the essence of world, the human’s nature and the hierarchy of values. The article attempts to show that the absolute values existence depends on the memory of the past.
PL
-
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.