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Filmowa półka sezonu 2010/2011

100%
Tambor A.
Postscriptum Polonistyczne
|
2011
|
issue 2(8)
271-282
EN
The article presents another summary of film events in a year 2010. Films that can be found here are: Benek, directed by Robert Gliński, and concerning Silesian subject, Chrzest (The Christening) second film by young Polish director Marcin Wrona, Czarny czwartek (Black Thursday) which tells the story of the strikes in 1970, and Joanna by Feliks Falk that offers a new perspective on the Second World War. Besides these, some other descriptions of the films that were released in 2010 or in the beginning of 2011 can be found here: Matka Teresa od kotów (Mother Teresa of Cats), Młyn i krzyż (Mill and the Cross), Och, Karol 2, Różyczka (Little Rose), Sala samobójców (Suicide Room), Skrzydlate świnie (Winged Pigs) and Weekend. The author comments the most famous films of the season viewing them through the eyes of a for-eigner who may be interested in watching them.
2
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Półka literacka 2010

100%
Nęcka A.
Postscriptum Polonistyczne
|
2011
|
issue 2(8)
253-270
XX
The article presents the most important and the most interesting prose and poetic works published in 2010. Most of them were written by well known authors. The ones that particu-larly deserve mentioning are Balladyny i romanse by I. Karpowicz, Da capo by J. Franczak, Dziennik pisany później by A. Stasiuk, Spiski by W. Kuczok, Miasto Szklanych Słoni by M. Sie-niewicz, Wąż w kaplicy by T. Piątek, Ziemia nod by R. Kobierski, Do rozpuku by A. Mirahina, Dywan by A. Wiedemann, Koncentrat by K. Siwczyk, Nocne życie by B. Zadura, poems by A. Sosnowski and Pół by M. Sendecki.
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Minulost a současnost španělského románu-fejetonu

44%
Sánchez J. A.
Slovo a smysl - Word & Sense
|
2017
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vol. 14
|
issue 27
75-89
EN
The optimal conditions for the creation of a popular novel occurred in the 19th century. With the influence, first of all, of French literature, there was in Spain a huge production of these works, known in Spanish as ‘folletines’ or folletín novel. Its importance for the study of literature is undeniable. It is possible to detect its legacy in the best Spanish novel between 1870 and 1936, for instance in Benito Pérez Galdós or Pío Baroja. But it is also interesting to compare this folletín novel with the modern best-seller. Similar techniques and conception of what should be a novel are to find in modern bestseller Spanish writers such as Carlos Zafón, Eduardo Mendoza or Arturo Pérez-Reverte. In this article, they are compared with the famous ‘folletinistas’ of the second half of the 19th century: Manuel Fernández y González, Wenceslao Ayguals de Izco, Ramón Ortega y Frías, etc.
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