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1

Collection of Incunabula from the Vasyl Stefanyk National Scientific Library of Ukraine in Lviv: main provenancestock-keeping units

100%

Kachur I., Molik A.

Z Badań nad Książką i Księgozbiorami Historycznymi

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2020

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vol. 14

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issue 2

213-233

EN

The article contains characteristics of incunabula from Vasyl Stefanyk Lviv National Scientific Library of Ukraine (LNSLU) collection. The author provides sources from which the collection of 15th century prints gathered in LNSLU has been obtained: the Ossoliński National Institute, including family deposit collections of the Pawlikowski and Chrzanowski families; the Dzieduszycki family book collection; the library of the People’s House in Lviv including Anton Petrushevich’s collection; the library of Shevchenko Scientific Society; collection of the Byzantine library „Studion” founded by Andrey Sheptytsky, as well as book collections from Basilian monasteries and church libraries. The article describes the history of the dissemination of incunabula in previous centuries, their circulation in the Galician millieu (in the lands under the Austrian partition), gives the names of their owners and characterizes provenance forms.

2

Portret w polityce – polityka portretu: uwagi o znaczeniu portretu w praktyce władzy Zygmunta I Starego

67%

Grzęda M.

Biuletyn Historii Sztuki

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2020

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vol. 82

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issue 1

5-79

EN

The role of portraits copied with the use of mechanical reproduction techniques played in the praxis of the rule of King of Poland Sigismund I the Old (1507-1548) is analysed; the effigies included the King and his family members, and were copied on prints, coins, medals, as well as book bindings. The portraits of the type were created with the recipients from outside the narrow circle at the Cracow court in mind; executed in larger numbers of copies, they were meant to reach the public who did not stay in direct contact with the monarch, often even unaware of what he looked like. The identification of the portrayed individuals was to a higher degree than in the case of traditional portraits dependent on conventional media, such as inscriptions, signs, or the applied presentation formula. The ideological sense contained in those elements has been analysed, and an attempt has been made to ascertain models and/or inspiration sources for respective works.

PL

Celem artykułu jest ustalenie roli, jaką w praktyce sprawowania władzy przez króla Polski Zygmunta I Starego (1507-1548) odgrywały portrety powielane za sprawą mechanicznych technik reprodukcji (wizerunki króla i członków jego rodziny na drukach, monetach, medalach i oprawach ksiąg). Portrety tego typu powstawały z myślą o odbiorcach spoza wąskiego grona krakowskiego dworu, wykonywano je w większej liczbie egzemplarzy z myślą o dotarciu do odbiorców nie mających bezpośredniego kontaktu z monarchą, a częstokroć nawet nieznających jego wyglądu. Określenie w nich tożsamości portretowanych osób, w stopniu znacznie wyższym niż w przypadku tradycyjnych konterfektów, było uzależnione od konwencjonalnych środków przekazu, takich jak inskrypcje, znaki oraz zastosowane formuły obrazowe. Analizie poddano sens ideowy zawarty w tych elementach oraz podjęto próbę ustalenia wzorów i/lub źródeł inspiracji dla poszczególnych dzieł.

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Inkunabuł w oprawie z superekslibrisami bpa Jana Lubrańskiego na tle introligatorstwa krakowskiego i poznańskiego końca XV – początku XVI wieku

51%

Wagner A.

Archiwa, Biblioteki i Muzea Kościelne

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2014

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vol. 102

301-325

EN

The article focuses on the binding of the incunabulum from the book collection of one of the greatest Polish Renaissance bibliophiles, Jan Lubrański Bishop of Poznań. The great value of this historical monument, discovered in 2012 in the Library of the Seminary in Włocławek, results from the fact that it is one of the few volumes that remained from hierarch’s extensive book collection, and also the only one, so far discovered, marked with his supralibros. The article starts with a biographical outline of Bishop Lubrański, with special attention paid to his bibliophilic activity. Then, the author presents a detailed formal and stylistic analysis of the binding against the background of bookbinding of the Polish leading centers in this fi eld in the late fi fteenth and sixteenth centuries. The result is the hypotheses concerning the time and place of its creation, which point to the unknown bookbinding workshop in Cracow or Poznań, operating in the fi rst two decades of the sixteenth century. Finally, the author attempts to trace the history of the book from the time of Lubrański up to its discovery in the collections of Włocławek.

Refine search results

1 Archiwa, Biblioteki i Muzea Kościelne

1 Biuletyn Historii Sztuki

1 Z Badań nad Książką i Księgozbiorami Historycznymi

1 Grzęda M.

1 Kachur I.

1 Molik A.

1 Wagner A.

2 2020

1 2014

Collection of Incunabula from the Vasyl Stefanyk National Scientific Library of Ukraine in Lviv: main provenancestock-keeping units

Portret w polityce – polityka portretu: uwagi o znaczeniu portretu w praktyce władzy Zygmunta I Starego

Inkunabuł w oprawie z superekslibrisami bpa Jana Lubrańskiego na tle introligatorstwa krakowskiego i poznańskiego końca XV – początku XVI wieku