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Problemy metodologiczne w identyfikacji anonimów typograficznych na podstawie druków krakowskich z lat 1601–1620

100%

Franczyk-Cegła A.

Terminus

2019

vol. 21

issue 4 (53)

437-457

The beginning of the 17th century in Cracow was a period when a number of books appeared on the market in which the title page only contained information about the place of publication, but not the name of the printer. These so-called anonymous imprints included mainly popular and occasional literature. The main reason for not publishing the name of printers was the fear of censorship, which was locally the responsibility of the University of Cracow and the Catholic Church. Nowadays, the identification of typographic anonyms, which until now has been the subject of causal studies usually conducted as bywork during other research projects, allows us to get to know the history of particular printing houses and the literary culture of a given area. The aim of this paper is to look at the issue of anonymous imprints from the methodological point of view, i.e. to present the most effective methods of discovering the printing houses that published the books and pamphlets in question. The emphasis is placed on describing the advantages and disadvantages of typographic and typographic-archival methods in the context of the changing realities in Cracow’s foundries and printing houses at the turn of the 16th and 17th centuries. Methodological problems will be discussed on the basis of a corpus of examples collected by the author, including anonymous publications from Cracow printing houses in the years 1601–1620 (about 800 titles) by Jan Szarfenberger, Szymon Kempini, and Wojciech Kobyliński, among others.

Sbírka kramářských tisků Ignáce Tabarky. Příspěvek k možnostem poznání zaniklých soukromých sbírek kramářských tisků

88%

Drozda M.

Český lid: etnologický časopis (Český lid: Ethnological journal)

2025

vol. 112

issue 1

27-50

The study deals with the collection of chapbooks of Ignác Tabarka from Rymice based on the collector’s correspondence and additional museum books that contain chapbooks from his collection. The attention is primarily dedicated to the quantity, formation, thematic profiling and organization of the collection, Ignác Tabarka’s contacts with other collectors and the fate of the collection until now. The author investigates the possibilities for learning about collections of chapbooks that have not been preserved together and how private collections of chapbooks influence the constitution of museum collections in the Czech Republic.

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1 Český lid: etnologický časopis (Český lid: Ethnological journal)

1 Drozda M.

1 Franczyk-Cegła A.

1 2025

1 2019

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Problemy metodologiczne w identyfikacji anonimów typograficznych na podstawie druków krakowskich z lat 1601–1620

Sbírka kramářských tisků Ignáce Tabarky. Příspěvek k možnostem poznání zaniklých soukromých sbírek kramářských tisků