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EN
Two possible interpretations of the notion of a “Shakespearean world” are considered; one for which the phrase connotes facts, processes and judgements which are taken by speakers to be provisional, unstable, morally “biassed”, yet in some sense “realistic”; another for which a “singular” character, a character-type or a particular experience is perceived as not only coherent and intensive in itself but as, potentially or actually, the source of a larger coherence and intelligibility. A number of citations display the different features salient to each of these two lines of interpretation. It is argued that, for some “singularities”, which take themselves and their powers and properties to be self-sufficient and self-legitimating, exposure to the “world” is in practice morally reductive or destructive. In other “singular” cases, such exposure amounts to, and offers an understanding of, Shakespearean versions of protagonism, heroism, and empathetic charm.
EN
Quintilian tries to evaluate Cicero on various levels. Examples from the Arpinate’s opera are interspersed almost in the whole textbook of the orator from Calagurris. He highly estimates Cicero’s achievements both in rhetorical practice and theory and appreciates his usage of metaphor, allegory, hyperbole, irony, riddle. The Arpinate is the greatest embodiment of various virtues that are praised in other speakers. As concerns incisum, membrum, circumitus, Quintilian constantly quotes Cicero. The most beautiful kind of speech is the one where analogy, allegory and metaphor are gracefully entwined. Quintilian remains under Cicero’s spell. It is obvious that Quintilian would not have written Institutio oratoria if he did not use the examples contained in Cicero’s works. Poetry raised to its height due to Homer and Vergil, while rhetoric – due to Demosthenes and Cicero.
Mäetagused
|
2017
|
vol. 67
141-180
EN
On the basis of Virumaa material, the article discusses healing words as well as charms that were used to regulate communication between human beings and the world of spirits. Healing words richly varied in form made use of fragments of prayers, Bible texts, and hymnals, and were based on legend material, allusions, and mythic worldview. The article gives an overview of a) the relationship between oral and written lore in charm tradition, connections with fictional and real books of wisdom; b) exchange of language codes; c) regulations of word-magic behaviour; d) healing charms and charms regulating social relations, housekeeping, and humans’ relationship with nature. The second half of the article discusses changes in healers’ healing tradition. During the past century, folk medicine integrated knowledge from different schools, and the importance of alternative and complementary medicine, such as yoga, Chinese medicine, Ayurveda, and music therapy (most of these cosmopolitan), increased. So we can conclude that cosmopolitan folk medicine exists side by side with official medicine. Another significant trend rising to the fore highlights the importance of local folk medicine, which emphasises traditional values and creates novel cultural interpretations. To characterise the changes, the article introduces four healers, ranging from a half-mythic witch-herder to the healers-innovators of medical methods and local culture.
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