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EN
In this paper we present selected European research projects focusing on future ideas, needs and trends for cybersecurity technologies and protection of personal data. FP7 CAMINO (Comprehensive Approach to cyber roadMap coordINationand develOpment) project is focused on the future actions that should be carried out in order to further enhance the protectionof the cyberspace. In the CAMINO project, we follow the comprehensive approach looking at broad range of possibletechnologies and problems. We termed our approach as THOR, since we considered the following dimensions: Technical, Human,Organisational and Regulatory. In this paper we also present DG HOME CIPHER (Integrated cyber-security framework forprivately held information systems and the European roadmap) project and its practical framework to enhance cyber securityand privacy. The major outputs of the project and contribution to the paper is the framework and its description, comparisonto other standards as well as practical aspects of its implementation. The framework is developed for ICT systems and forPrivacy Held Information Systems in particular- this term will be used in the paper to describe ICT systems containing personalinformation and data.
EN
Using mythological tradition is one of the ways of enrichment the semantic level of old literature. Partially it is caused by entire nature of myths which from ancient times were interpreted as plots consisting additional, hidden senses. Allegoreze, popular especially in Mediaeval Ages, has an influence on ways of adaptating and using mythologisms in Mediaeval and Reinessance literature. Motifs and characteres appear in texts of Old Polish literature most usually with allegorical “background”. Same of that allegories have universal character (being a result of searching in myths some general truths), the others, as a result of adaptation ancient themesto Christian worldview, have lost their currency yet still play an important role in understanding texts of culture. Notions of “cipher”, code and convention, that are used in the article, mean ways of making use of mythology in Old Polish texts: from hiding specific information under the layer of literal meaning (e.g. bucolics of Szymonowic and Bartłomiej Zimorowic), by enriching text with cultural allusions (for example in poetic letters), to conventional using, in which mythologism has mainly ornamental function.
EN
The paper is devoted to analyzing the phenomenon of the cipher, which appears in the Old Polish correspondence and diary prose. The analysis will turn in the direction of texts written by persons involved in hidden amorous relationships, objectionable from the point of view the official social norms, given the fact that the lovers commit treason against wedded partners. Letters by Sobieski and Marysieńka served as a starting point and then reflection also included correspondence from Magdalena Czapska and Hieronim Florian Radziwiłł. Due to a distinct species convention, somewhat different perspective has appointed diary of enamored Jan Krzysztof Biegański. Considerations apply to both the nature of ciphers used in these texts, as well as the causes and functions of their use which, despite appearances, did not involve only with the need to hide a sinful relationship. The issue of readability of encrypted texts and the ability to discover covert meanings has also been raised.
EN
Taking Barthes’ discussion of Aesop’s lion as my starting point, I examine the notion of the stereotype as it applies to the use of animals in philosophy and cultural theory. By employing an illustrative selection of animal ciphers from Saussure and Austin, and animal indices from Peirce and Schopenhauer, I argue that theory’s beasts are always at risk of becoming either exemplars of a deadening, generic Animal or mere stultifying stereotypes. Gilbert Ryle’s faithful dog, Fido, as well as a number of Aesop’s edifying animals, help to demonstrate that these two dangers are not inescapable, however. I close by indicating two strategies for preventing the unnecessary inhibition of the creatures of critical theory, focusing on Derrida’s individual and gently unruly cat.
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