Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  collective body
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

Nevyčerpat revoluci v jediném okamžiku: Benjaminův "Surrealismus"

100%
Kettner M.
Filosofický časopis (Philosophical Journal)
|
2022
|
vol. 70
|
issue 2
233-247
EN
The study shows that Benjamin’s conception of revolution, put forth in his essay “Surrealism: The Last Snapshot of the European Intelligentsia,” can be understood as a way to bring about a long-term transformation of reality. To not exhaust revolution in a single moment is facilitated, above all, by the relationship of Benjamin’s revolution to evolving technology, which constantly enters (in the form of new objects) into the daily life of society. “Surrealism” offers an opportunity to look at new technological objects as images and to understand them in a specific way thanks to the method of profane illumination. Understanding new technology as an image – its “reading” – enables one to use its revolutionary potential towards an active transformation of society. Thanks to profane illumination, technology proves to be a part of the collective body. It thus becomes an organ of transformation rather than an instrument of control. Since Benjamin leaves the meaning of his concepts to a certain extent open, this study will try to present a concrete interpretation of the concepts of image and profane illumination and demonstrate how they establish the author’s conception of revolution.
CS
Studie ukazuje, že Benjaminovu koncepci revoluce, předloženou v eseji „Surrealismus“, lze chápat jako způsob dlouhodobého transformování skutečnosti. Nevyčerpat se v jediném okamžiku umožňuje Benjaminově revoluci především její vztah k vyvíjející se technice, dlouhodobě vstupující (v podobě stále nových předmětů) do každodenního života společnosti. „Surrealismus“ nabízí možnost nahlížet nové technické předměty jako obrazy a poté jim specifickým způsobem rozumět díky metodě profánního osvícení. Porozumění nové technice jako obrazu – její „přečtení“ – umožňuje zužitkovat její revoluční potenciál k aktivní transformaci společnosti. Technika se díky profánnímu osvícení ukazuje být součástí kolektivního těla. Stává se tak orgánem transformace spíše než nástrojem ovládání. Benjamin však ponechává význam svých pojmů do jisté míry otevřený, a tak následující studie navrhne konkrétní interpretaci pojmů obrazu a profánního osvícení a předvede, jak zakládají autorovo pojetí revoluce.
2
Content available remote

Struktura i kompetencje Rady zarządzającej w ordynariatach personalnych dla anglikanów powracających do pełnej jedności z Kościołem katolickim

84%
Zając P.
Kościół i Prawo
|
2013
|
issue 2(15)
145-155
EN
The article presents the norms regarding the composition, mandate and functioning of the Governing Council in Personal Ordinariates for Anglicans, established under the Apostolic Constitution of Benedict XVI Anglicanorum coetibus and Complementary Norms issued by the Congregation for the Doctrine of the Faith. The Governing Council is an obligatory collective body invoked in each Personal Ordinariate. It is composed of at least six priests. It exercises the functions specified in the Code of Canon Law of 1983 for the Presbyteral Council and the College of Consultors, as well as those areas specified in the Complementary Norms. The Governing Council is created under the Statutes of Council. However in the present day there are Statutes which have not been approved by the Holy See. The Author concentrates on the norms contained in the Code of Canon Law 1983 applied by the Presbyteral Council and the College of Consultors adapting them to the specificity of the Governing Council.
3
Publication available in full text mode
Content available

Postać wszechświatowego człowieka w twórczości reżysera, scenarzysty i muzyka Michaiła Miesteckiego

83%
Szubin R.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
|
2019
|
issue 9
157-169
EN
The article is devoted to the study of the concept and image of the one-man (rus. mirovoj chelovek). Mikhail Mestetsky – a screenwriter, a director, a musician, the founder and frontman of the group Shklovsky. His work is permeated with anarchic and revolutionary motifs of destruction and provocation. However, along with the aesthetics of destruction, there is a tendency towards collective behavior, the essentialization of the collective. The group, the detachment, the team, the union, and the sect are the favorite categories of Mestetsky's poetics. The identification of „all as one” in the category of the one-man (Wardan Hayrapetyan), collective body occurs in the film Rag Union (2015). The main plot of Mestetsky is set against this background – the self-education of personality and the character formation.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.