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City and Water: The Problem of Trauma in the Process of Developing Urban Resilience

100%
Bugno-Janik A., Janik M.
Zarządzanie Publiczne / Public Governance
|
2020
|
issue 4(54)
67-84
EN
Objectives: In the paper, the authors study the socio-cultural, spatial, and functional relationships of city and water in the context of the paradigm shift that is taking place in urban development. Research Design & Methods: The following qualitative methods are used: field observation, participatory observations, transdisciplinary analyses, and case study. Findings: The historical development processes and the resultant collective traumas that have developed in Gliwice were analysed. Some substantial links and correlations have been discovered. Implications / Recommendations: In the sphere of the local cultural background, there are echoes of traumatic events which, to a large extent, have shaped subconscious beliefs and self-defence mechanisms. It is necessary to take this part of reality into consideration while working on city development plans. Contribution / Value Added: The article illuminates the background and mechanisms of some of the processes shaping the relationship between the city and water. Collective traumas play a significant role in these processes, and the fundamental changes that are key to building urban resilience are strongly dependent on working on it attentively. The authors formulate the concept of a trauma network as a significant element of the urban system. Article classification: research article JEL classification: Y8 Related Disciplines
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The Pandemic and Its Shadow. Feminist Theoretical and Art Discourses on Trauma and Community in COVID-19

100%
Zolkos M.
Jednak Książki. Gdańskie Czasopismo Humanistyczne
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2022
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issue 14
52-66
EN
This article explores the philosophical and psychoanalytic trajectories of conceptualizing the Covid-19 pandemic as ‘collective trauma’, and considers what would be the risks, but also productive possibilities, of such a theoretical move. the context of this inquiry is the so-called ‘shadow pandemic’ – the drastic increase in domestic violence globally, which accompanied introduction of lockdowns as a measure of containing the impact of Covid-19 on public health infrastructures. For the women who were victims of violence during the lockdowns, the discourse of ‘sheltering’, ‘isolation’ and ‘staying home’ has carried antithetical meanings to the o6cially sanctioned ones – those were meanings of threat, danger, harm, and death. Drawing on the work of two feminist psychoanalytic thinkers, Julia Kristeva and Jacqueline Rose, and on installations by bio-artists Anna Dumitriu and Flo Kasearu, I argue against notions of the pandemic as an external traumatic event that disrupted societies and communities worldwide. Rather, the ‘shadow pandemic’ suggest that there is a more complex, even intimate, relation between the pandemic, violence, and gendered productions of sociality.
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Das ,Unheimlicheʻ in Jarosław Marek Rymkiewiczʼ Umschlagplatz und Igor Ostachowiczʼ Noc żywych Żydów [Nacht der lebenden Juden]

58%
Höllwerth A.
Convivium. Germanistisches Jahrbuch Polen
|
2021
65-92
PL
W powieści Umschlagplatz JAROSŁAWA MARKA RYMKIEWICZA oraz w powieści Noc żywych Żydów IGORA OSTACHOWICZA ,niesamowitość’ jest wynikiem nie tyle romantycznej fascynacji upiorami, ile głębokiej traumy zbiorowej. Ta trauma jest spowodowana kompleksem winy, który wymyka się próbom zobiektywizowania. Owa trauma sprawia, że to, co Améry nazywa ,ojczyzną’, a Flusser ,mieszkaniem’, jawi się jako kruche i wątpliwe. Tylko konfrontacja z ludzką zbrodnią leżącą u podstaw tej traumy i poczucia winy może pomóc w znalezieniu wyjścia z dynamiki ,niesamowitości’.
EN
In the novels Umschlagplatz by Jarosław Marek Rymkiewicz and Noc żywych Żydów [The Night of Living Jews] by Igor Ostachowicz, the “uncanny” is less a result of a romantic fascination with ghosts than an emblem of deep collective trauma. This trauma arises from a guilt complex which is difficult to objectify. As a result of this trauma, the notion Améry calls “homeland” and Flusser defines as “a place to live”, appears fragile and questionable. Only dealing with the crimes underlying this trauma and guilt may pave the way out of the dynamic of the “uncanny”.
DE
Das ,Unheimlicheʻ rührt sowohl in Jarosław Marek Rymkiewiczʼ Umschlagplatz als auch in Igor Ostachowiczʼ Noc żywych Żydów [Nacht der lebenden Juden] weniger von einer romantischen Faszination am Gespenstischen als vielmehr von einem tiefsetzenden kollektiven Trauma her – ein Trauma, entspringend einem Schuldkomplex, der nur schwer objektivierbar ist. Dieses Trauma lässt das, was Améry als ,Heimat‘ und Flusser als ,Wohnen‘ bezeichnet, brüchig und fragwürdig werden. Allein die Auseinandersetzung mit dem diesem Trauma und diesem Schuldkomplex zugrundeliegenden Menschheitsverbrechen vermag einen Ausweg aus dieser Dynamik des ,Unheimlichen‘ zu bahnen.
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