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Wstęp do analizy semantycznej przysłówków kolektywnych (na przykładzie razem)

100%
Rosalska P.
Linguistica Copernicana
|
2013
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issue 1(9)
165-181
EN
The present article constitutes a semantic analysis of the adverb razem (pl. together), the most representative unit in the set of the so-called collective adverbs. While rejecting the definitions presented in dictionaries, in which the meaning of the unit is expressed through the notions of 'place' and 'time', the author considers its sense as based on the sender's holistic perception of object in the extralinguistic reality. The state of mind is always conditioned by the specificity of actions of a collective agent or an agent operating on a given set.
2
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Zespół teatralny jako mit: Wokół książki «Czy tylko Reduta?»

100%
Płoski P.
Pamiętnik Teatralny
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2020
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issue 2(274)
267-276
EN
The electronic publication Czy tylko Reduta? Wspólnota – zespół – spółdzielnia twórcza – kolektyw [Only Reduta? Community – Ensemble – Creative Cooperative – Collective] brings together selected papers from a conference organised as part of the 4th Congress of the Polish Society for Theatre Research in Spała (20–22 Sept. 2019). The article is not so much a review of the edited volume as a record of the author’s reflections inspired by the reading of particular essays. The book constitutes a polyphonic attempt at describing the phenomenon of the theatre collective. Fundamental as it is for theatre life, it has only recently drawn the attention of researchers. In this publication, the phenomenon of Reduta is a starting point for much broader research and analysis that address both general principles of the functioning of theatre ensembles and particular cases of Polish and foreign theatres. The author of the article comments on the analyses contained in the volume, describing various mythologisations of collectivity. (Transl. Z. Ziemann)
3
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Václav Havel, Simone Weil and our desire for totalitarianism

88%
Fredriksson A.
Filosofický časopis (Philosophical Journal)
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2022
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vol. 70
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issue Special_issue_1
83-104
EN
Given our troubled history in the 20th century, how is it that nationalism and populism have come to raise their heads again in Europe over the past 20 years? What have we lost? What is it about our liberal, democratic political structures that creates the current atmosphere of mistrust, xenophobia and shortsightedness? How has this development come about, and what is driving it? How should we understand this desire for authoritarianism? In this paper, I will address these questions through a reading of two essays that can be considered to have been written as warning signs regarding a very common tendency within social psychology that entails a development of communities towards authoritarian structures. Simone Weil’s essay “Human Personality”, written in 1943 during her wartime exile in London, and Václav Havel’s “The Power of the Powerless”, written in 1978 during his house arrest in Czechoslovakia, both address the potential relapse of Europe into authoritarianism. Neither of these essays should be read as developed theories within political philosophy. They are notes from a dire predicament of crisis, on both a personal and a macro-political level, that investigate the relationship between the subject and society in order to understand the dynamics of totalitarianism. Their strength lies exactly in that they address a present unfolding situation that the authors perceive to have potentially unbearable consequences. This tone of urgency, their way of addressing us from a positionality void of any real power or privilege, and their bold demands for envisioning change beyond given political ideologies, make these essays into unique backdrops for thinking about our current political questions. Both Weil and Havel advocate an open society that permits the subject to cultivate a form of life beyond collective ideology. Both essays address the sensibilities of the subject that do not appeal to identity, common ideology or collectivity in order to thrive. The aim of this paper is to outline this redefinition of the relation between the individual and society in Weil and Havel, as a remedy for our desire for authoritarianism.
4
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Art as a laboratory – Guy Ben-Ary’s work

55%
Szykowna S.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2019
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vol. 25
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issue 34
PL
Szykowna Sylwia, Art as a laboratory – Guy Ben-Ary’s work. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 115–124. ISSN 1731-450X. DOI 10.14746/i.2019.34.07. The present paper deals with the work of an Israeli artist, Guy Ben-Ary. His work is a prime example of artistic practice in the field of bio art. Bio art provokes critical thinking about the place and role of people in today’s world. The main purpose of the article is to describe changes in contemporary artistic practices within the framework of art as a laboratory, the aim of which is to study reality.
EN
Szykowna Sylwia, Art as a laboratory – Guy Ben-Ary’s work. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 115–124. ISSN 1731-450X. DOI 10.14746/i.2019.34.07. The present paper deals with the work of an Israeli artist, Guy Ben-Ary. His work is a prime example of artistic practice in the field of bio art. Bio art provokes critical thinking about the place and role of people in today’s world. The main purpose of the article is to describe changes in contemporary artistic practices within the framework of art as a laboratory, the aim of which is to study reality.  
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