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Time for community media in Central and Eastern Europe

100%
Doliwa U., Rankovic L.
Central European Journal of Communication
|
2014
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vol. 7
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issue 1(12)
18-33
EN
While the community media sector may be reported as established and well developed in Western Europe, it has grown considerably more slowly in almost all countries in Central and Eastern Europe. Th e literature on community media in Europe is also Western oriented — most of the publications about this sector centre on countries which were located on “the better side” of the Iron Curtain and have been written by Western authors. Th is paper is the fi rst attempt to look at the problem of community media in Central and Eastern Europe in general and present the specifi c problems of community media development in this region from an Eastern perspective. According to the Mapping Project of Community Media completed by the Community Media Forum Europe in 2012, the community media sector is legally recognized in only four countries from this region.
2
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Community Radio in Hungary and Its Place in the Society, Politics, and Education

100%
Doliwa U., Velics G.
Polish Political Science Yearbook
|
2023
|
issue 4(52)
59-77
EN
This article examines the community radio scene in Hungary, focusing on two stations in Budapest: Tilos Radio and EPER Radio. The authors explore the unique characteristics and principles of community radio in Hungary through desk research and interviews with key players in the community radio movement conducted in October 2022. They highlight how these two stations, while differing in their specific forms of community broadcasting, share a commonality of being independent and offering an alternative to mainstream and public radio programming. Sustainability was identified as a significant challenge facing community radio stations in Hungary, primarily because of unfriendly media policy promoting voices supporting the government. The article also provides characteristics of the community radio concept and the historical context of community radio in Hungary, noting that this country was the first in Central and Eastern Europe to incorporate the third broadcasting sector into media law.
3
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Archiwizacja działalności radiowej – wyzwania i szanse dla małych, niekomercyjnych nadawców

84%
Doliwa U.
Studia Medioznawcze
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2017
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issue 4 (71)
81-94
PL
Dobrze zorganizowane archiwa radiowe są dziś nie tylko ważną częścią dziedzictwa kulturowego ludzkości, ale też kluczem do sukcesu w zakresie dotarcia do odbiorców, którzy słuchają radia nie tylko w tradycyjnych odbiornikach, jak również są coraz ważniejszym elementem procesu produkcji radiowej. W artykule zostały przedstawione różne przykłady praktyk stosowanych w tym zakresie zarówno przez stacje społeczne w Europie, jak i nienastawione na zysk inicjatywy radiowe w Polsce – koncesjonowane i internetowe stacje studenckie.
EN
Nowadays, radio archives are not only an important part of the cultural heritage of mankind, but also a key step for reaching the audience and developing production process. This article presents various examples of practices relevant to community radio in Europe and nonprofit radio initiatives in Poland. Conclusions are being drawn by using licensed and internet student stations as case studies.
4
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Radio Obywatelskie z Poznania jako przykład radia społecznego

67%
Doliwa U.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2018
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vol. 51
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issue 5
65-82
EN
In the article, the third community broadcasting sector, alongside the public and commercial sectors – is described. The history of community radio journalism is also analysed. Attention is focused on the pioneers of Polish private radio broadcasting that created pirate local stations in the early 1990s, which were born as grassroots and community oriented initiatives. The lack of well-thought-out state policies to support such stations and the escalating globalization processes have led to a crisis of radio in this form and of civil radio journalism as a whole. The history of Radio Obywatelskie from Poznań, founded by the American Robert Gamble, is described in greater detail. The operating model of this station is compared with the operating model of the community radio outlined in the first part of the article. In the publication, available media-related studies as well as community media documents in Europe were used, in addition, information from a recorded conversation with Robert Gamble, minutes from the meeting of Radio Obywatelskie representatives with the National Broadcasting Council and publications publications from the popular press titles were also analysed.
PL
W artykule scharakteryzowano trzeci – obok publicznego i komercyjnego – społeczny sektor radiofonii. Omówione zostały również źródła obywatelskiego dziennikarstwa radiowego. Uwaga została skupiona na pionierach polskiej radiofonii prywatnej, tworzących pirackie lokalne stacje na początku lat 90., które powstawały jako inicjatywy oddolne, często z pobudek prospołecznych. Brak przemyślanej polityki państwa w zakresie wspierania tego typu stacji i nasilające się procesy globalizacyjne doprowadziły do kryzysu radia realizowanego w tej formule i obywatelskiego dziennikarstwa radiowego. Szczegółowo została opisana historia Radia Obywatelskiego z Poznania założonego przez Amerykanina Roberta Gamble’a. Porównano model działania tej stacji z modelem funkcjonowania radia społecznego zarysowanym w pierwszej części artykułu. W publikacji wykorzystano dostępne opracowania o charakterze medioznawczym i dokumenty dotyczące mediów społecznych w Europie, informacje pozyskane podczas rozmowy z Robertem Gamble’em, a także protokół ze spotkania przedstawicieli Radia Obywatelskiego z Krajową Radą Radiofonii i Telewizji, a także publikacje z prasy popularnej poświęcone tej rozgłośni.
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