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J. Tischnera myśl etyczno-społeczna jako polska odmiana compassio

100%
Czekalski R.
Seminare. Poszukiwania naukowe
|
2014
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vol. 35
|
issue 1
71-80
EN
This article attempts to demonstrate the relationships between a new political theology developing in the 20th century in Western Europe and the ethical-social thought of J. Tischner. The starting point of both concepts is the non-culpable suffering of man. The article presents countermeasures proposed by J. Tischner against non-culpable suffering, i.e. mercy, solidarity and Christian hope. Tischner’s philosophy is far from utopian dreams of the complete elimination of suffering, which is simply impossible here on earth. The philosopher from Krakow proposes, however, measures which allow one to endure difficult situations with dignity. Tischner himself extracts from the Gospel the values which Christianity continually offers to an ever more ruthless, indifferent and cold world.
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Znaczenia pieśni w wierszu Do obywatela Johna Brown

80%
Nurzyńska-Kozak A.
Tematy i Konteksty
|
2022
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vol. 17
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issue 12
122-133
EN
The aim of this article was the analysis of the meanings of song and their transformations in the poem by Cyprian Norwid Do obywatela Johna Brown. As a result of interpretational close-ups (especially to the initial phrase and the climax of this poem) the polysemic song by Norwid appears not only as a lyrical genre, a term synonymous to poetry in general but also as an act with performative and transgressive features leading the lyrical subject – also through a specifically ‘musical’ shaping of this poem – towards the experience of epiphany of sacrum (Marian andChristological motives).
PL
Celem artykułu była analiza znaczeń pieśni oraz ich przekształceń w wierszu Cypriana Norwida Do obywatela Brown. W efekcie interpretacyjnych przybliżeń (szczególnie do frazy inicjalnej oraz momentu kulminacji utworu) polisemiczna „pieśń” Norwida jawi się jako nie tylko  rodzaj utworu lirycznego, określenie synonimiczne dla poezji w ogólności, lecz także jako akt o właściwościach performatywnych i transgresyjnych, prowadzący podmiot wiersza – również na drodze specyficznie „muzycznego” ukształtowania tekstu – ku doświadczeniu epifanii sacrum (motywy maryjne i chrystologiczne).
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