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  1. 1 Facta Simonidis

  2. 1 Prace Językoznawcze

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  1. 2 Galilej C.

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  1. 1 2013

  2. 1 2011

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Jan Żabczyc – poeta nieznany? Szkic o życiu i twórczości wczesnobarokowego pisarza dworskiego

100%
Galilej C.
Facta Simonidis
|
2011
|
vol. 4
|
issue 1
121-134
EN
The aim of this article is an attempt at popularizing Jan Żabczyc’s writings. Żabczyc was a very popular early Baroque court poet who nowadays seems to be unappreciated and lost among the great names of his times. He was well acclaimed in his lifetime, but since 18th century, when a change in literary tastes took place, his legacy started to sink into oblivion. There is not too much information concerning his life and activity in the critical works, those authors who mention him, however, regard his poems as works of high literary value, emphasizing one particular collection of his poems (Christmas carols) Symfonie anielskie. Żabczyc is best known for his carols, but he was also able to show literary skill in his other poems. Certainly his writings deserve to be discovered anew, and in effect appreciated again.
PL
Celem niniejszego artykułu jest próba popularyzacji twórczości Jana Żabczyca, XVII-wiecznego, dobrze wówczas znanego poety dworskiego, który dzisiaj należy do grona twórców pozostających w cieniu wielkich nazwisk epoki. Dużą popularność zdobył sobie już u współczesnych. Jednak od XVIII w. wraz ze zmianami gustów literackich, jego dorobek zaczyna iść w zapomnienie. Pomimo skąpych informacji o pisarzu i jego twórczości w opracowaniach naukowych, nawet krótkie wzmianki o poecie zawierają pochlebnie opinie o nim, akcentujące przede wszystkim dużą wartość jednego dzieła – Symfonii anielskich. To właśnie kolędy stały się najbardziej reprezentatywnym dla Żabczyca zbiorem, chociaż w innych poeta również potrafił zabłysnąć talentem. Z pewnością jego twórczość zasługuje na poznanie, a w efekcie na uznanie.
2

Dialog i monolog w XVII-wiecznych kolędach na przykładzie Symfonij anielskich Jana Żabczyca

80%
Galilej C.
Prace Językoznawcze
|
2013
|
issue 15/1
31-42
EN
The aim of the present article is a description of two types of utterances – dialogue and monologue in the baroque collection of carols constituting an essential link in the development of the whole genre. The analysis of these forms of communication also covers the issue of segmentation of the text and the review of measures that make it coherent. The research proves that Zabczyc’s main artistic ambition was to diversify the composition and the style of his carols. The variety of ways of structuring language is here combined with the capacity for integration of its internal segments, as a result of which this collection can be regarded as a rich source of information about the stages of constructing a text characterized by semantic and formal coherence.
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