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Kara wieczna – czym jest?

100%
Witczyk H.
Verbum Vitae
|
2019
|
vol. 36
7-10
EN
Editorial written by Editor-in-Chief, Professor Henryk Witczyk (KUL).
PL
Słowo wstępne redaktora naczelnego, ks. prof. dr. hab. Henryka Witczyka (KUL).
2
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Position of the Visegrad Four countries and the Baltic States on the Russian-Ukrainian conflict

88%
Sydoruk T., Tyshchenko D.
Torun International Studies
|
2016
|
issue 9
17-30
EN
The article analyses the positions of the Visegrad Group and the Baltic countries on the Russia-Ukraine conflict that erupted in 2014. The authors prove that Poland, Lithuania, Estonia and Latvia are united by perception that the Russian aggression in Ukraine is a threat to their national security, they support for tough policy of anti-Russian sanctions in the international arena, and assist Ukraine and the level of declarations and at the level of action. Nonetheless , level of their participation and support for Ukraine depends on their actual capabilities and domestic and foreign policy priorities. Reactions of other V4 countries to events in Ukraine are more restrained and vary from quiet pragmatism in Slovakia to clear pro-Russian voices in the Czech Republic and Hungary. It is unlikely, however, that their position can be a real obstacle to the implementation of the common EU action in the near future.
3
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Józefa Tischnera koncepcja tragedii estetycznej: potępienie i usprawiedliwienie

63%
Ziółkowski W.
Studia Gilsoniana
|
2016
|
vol. 5
|
issue 3
527-543
EN
The article undertakes an attempt to unveil the tragic nature of beauty as present in Józef Tischner’s conception of aesthetic tragedy by reflecting on the aesthetic condemnation of the artist and forms of justification sought by him in the realm of beauty. The performed analysis are focused on the course of aesthetic tragedy, beginning with conditions of its coming into being, through forms of its expression, concluding with its term achieved by the parting of its subjects (the artist and his work of art). According to Tischner, it is possible for the artist condemned by his own work of art to find the way out from the framework of aesthetic horizon and all it contains within itself. The artist can overcome his aesthetic condemnation in two ways: he can either disprove the condemnation and demonstrate its falsehood, or replace the beauty in the structure of “the aesthetic I” with some other high value.
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