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EN
The aims, rules and topics of sex education exist on paper, but have yet to be implemented in Slovakia. Although the curriculum creates the illusion of openness in this field, the silence on sex education in schools provides space for the alternative, "more valuable" quiet discourses of religious education. Under these conditions, it is silence that is proving to be an advantageous strategy for the majority of those who should be voicing their opinions. Instead, they listen and control. By contrast, those who do speak out, children and young people, do not in fact, speak to them, but mainly among themselves. Those who are silent and listen are not prepared for the younger generations confessions on sexuality, which are mostly taken from the liberal area of media, especially the internet. The silent frequently lack, at the very least, the basic ability to react and debate in this changed situation. Those who are involved in the discussion on sexuality in Slovakia are those who should listen and supervise.
EN
Despite a number of particular studies, the Renaissance epitaph remains a largely undervalued source. Art historians study it solely as a “work of art,” while historians tend to use it as a source of purely factual data (heraldic, epigraphic, genealogical, prosopographic etc.). However, from the wider, cultural-historical or historicalanthropological perspective, it is necessary for both disciplines to realize the specific value of the epitaph as a sepulchral monument, the goal of which was to construct the identity of the “social body” of the deceased. The specific conceptual character of the epitaph thus offers a possibility to study it as a complex medium (source) reflecting cultural codes of dying, death, remembering and salvation (which is especially interesting in the context of Europe divided by different denominations), but also as a pure phenomenon that took part in forming the death discourse of the period.
PL
W artykule przedstawiono działania rosyjskiej cesarzowej Katarzyny II, mające na celu wyłączenie parafii unickich spod jurysdykcji Kościoła Rzymskokatolickiego w nowo włączonych do Rosji z Rzeczypospolitej ziemiach ukraińskich. Na podstawie materiałów archiwalnych wykazano opór kleru i parafian Kościoła Greckokatolickiego wobec gwałtownego powrotu do Kościoła Prawosławnego.
EN
The article shows the actions taken by the Russian Empress Yekaterina II. They were aimed at excluding Greek Catholic parishes of the Ukraine from the jurisdiction of the Roman Catholic Church. They had been the part of Commonwealth of Poland and became newly-connected to Russia. It demonstrates, on the base of archival materials, the resistance of the clergy and parishioners of the Greek Catholic Church to the violent return to the Orthodox Church.
PL
This article shows the close link between religious policy, especially that of the confessional option, and the politicization of space in the building processes of territorial states. The study focuses on the two Danube Principalities of Wallachia and Moldavia, which implemented their state building owing to three decisive steps: i) the jurisdictional option in favour of the Ecumenical Patriarchate in Constantinople; ii) the territorial and social implementation of the Byzantine Orthodox faith by institutional infrastructure and monastic reform; iii) the Orthodox enculturation of the two Wallachian principalities.The main goal of this chapter is to show how cultural and historical phenomena transform the abstract geographical space into the political space of a state.
5
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Praying for rain. Music for rogation days from Silesia:

72%
EN
The musical culture of seventeenth-century Silesia abounds in phenomena of confessional meaning, concerning not only the Protestant circles that were predominant there, but also the Catholic milieu, favoured by imperial authorities. These phenomena are often associated with extra-liturgical repertoire, which was used in various circumstances and feasts celebrated in the post- Tridentine era and promoted by various monastic families. In addition to the repertoire of this type performed during church services, some were sung extra urbem, during the so-called dies rogationum. This feast regularly fell during the week before Ascension Day and was associated with the rites of spatial sacralisation, celebrated to convey to the community a sense of its existential security. But the rites of rogation days were also performed in times of natural disasters, especially prolonged drought, during which the Litany of the Saints, associated with the procession petitioning for their intercession, was sung. The evidence for such an event is a small paper card with the prayer beseeching for rain found in a set of partbooks transmitting the score for a Litaniae de omnibus Sanctis pro diebus Rogationum. The copy of this composition comes from the Convent of the Canonesses Regular in Wrocław (PL–Wu RM 6140) and was composed by the Silesian Jesuit Joannes Faber (1599–1667). The piece is not only a unique source for the rare musical production of Jesuits at this time; it can be also examined in the context of studies on climate changes of the past. The setting of the litany by Faber was most probably performed on the occasion of a protracted drought that happened in 1684. Confirmation for this fact can be found in archival sources of Catholic provenance from Silesia (i. e. chronicles of Jesuit centres), but it was also predicted by prognostics and calendars printed in Protestant cirles of this region. Both types of sources provide compelling insight into the social strategies of different confessional environments, revealing both their social strategies and contrasting worldviews.
CS
Hudební kultura Slezska sedmnáctého století je bohatá na jevy nesoucí konfesijní význam, týkající se nejen místně převládajících protestantských kruhů, nýbrž i katolického prostředí favorizovaného císařskými úřady. Tyto prvky bývají často propojené s mimoliturgickým repertoárem využívaným při různých příležitostech a o svátcích konaných v potridentské éře a podporovaných rozličnými řeholními společenstvími. Vedle tohoto typu repertoáru provozovaného během chrámových bohoslužeb byly některé skladby zpívány extra urbem, v době takzvaných dies rogationum. Tento svátek pravidelně připadal na týden před svátkem Nanebevstoupení Páně a byl spojený s obřadem svěcení místa konaným za účelem upevnění pocitu existenčního bezpečí v řadách dané obce. Obřad prosebných dní však bylo možno vyhlásit i v případě živelních pohrom, zejména dlouhotrvajícího sucha, přičemž se v jeho průběhu zpívala Litanie ke Všem Svatým v kombinaci s procesím prosebníků o jejich pomoc. Dokladem takové události je papírová kartička s modlitbou prosící o déšť nalezená v rozpisu hlasů v partituře Litaniae de omnibus Sanctis pro diebus Rogationum. Kopie této kompozice pochází z vratislavského kláštera augustiniánek (PL–WuRM 6140) a jejím autorem je slezský jezuita Joannes Faber (1599–1667). Tato skladba není pouze jedinečným pramenným dokladem nepočetné hudební produkce tehdejších jezuitů; lze se jí zabývat i v kontextu studia klimatických změn minulých období. Faberovo zhudebnění Litanie bylo s největší pravděpodobností provozováno v době velkého sucha, k němuž došlo v roce 1684. Potvrzení této okolnosti lze nalézt v některých katolických archivních materiálech ze Slezska (tj. v kronikách tamních jezuitských středisek), kromě toho ji ovšem predikovaly i prognostiky a kalendáře vydávané tiskem protestantskými kruhy této oblasti. Oba tyto pramenné zdroje nabízejí zajímavý vhled do sociálních strategií v rozdílných konfesijních prostředích, a vypovídají o jejich antropologii a hodnotových světonázorech.
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