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Rola zabytkoznawczej analizy wartościującej w ustalaniu priorytetów konserwatorskich. Przypadek księgozbioru starych druków z opactwa Benedyktynek w Żarnowcu

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Pronobis-Gajdzis M., Kłosiewicz M., Nehring G. B.

Toruńskie Studia Bibliologiczne

2017

vol. 10

issue 2(19)

9-26

Opieka nad zabytkowymi księgozbiorami to skomplikowany, wieloetapowy proces, wymagający świadomego i odpowiedniego postępowania właścicieli, opiekunów i użytkowników, ale także dobrze rozplanowanych działań konserwatorów. Wspólnym celem wszystkich osób związanych z każdą kolekcją jest bez wątpienia zachowanie jej w możliwie najlepszej kondycji. Niestety, warunki przechowywania i stan zachowania artefaktów w wielu przypadkach wymagają natychmiastowej interwencji konserwatorskiej. Usystematyzowanie tych działań i ustalenie priorytetów konserwatorskich nie jest łatwe do wykonania, a jeszcze trudniejsze do zobiektywizowania. Ułatwieniem może być prezentowane w niniejszym artykule narzędzie, czyli zabytkoznawcza analiza wartościująca i badania konserwatorskie, które pozwoliły na ustalenie zakresu prac i wyznaczenie obiektów, które w pierwszej kolejności zostały poddane pracom w ramach projektu konserwacji zachowawczej dla księgozbioru starych druków z opactwa Benedyktynek w Żarnowcu.

Protection of antique book collections is a complicated and multistage process that demands deliberated maintenance among users, caretakers and owners as well as the appropriate conservation procedures. Undoubtedly, the common goal of everyone who is involved in this process is to keep the collection it in the best possible condition. Unfortunately, storage conditions of books and their state of preservation require in many cases the immediate intervention. Systematization of demanded actions and establishment of conservation priorities are difficult and very hard to objectivize tasks. In this article we would like to present a method (heritage studies-based evaluation analysis) that may help in solving above mentioned problems. This method is shown in the example of the Żarnowiec Convents old print collection. It has enabled determination of the scope of work and designated objects to be firstly taken care of under the conservation programme.

Madonna del Velo z przedstawieniem kardynała Paola Emilia Sfondratiego ze zbiorów wilanowskich w świetle ostatnich prac badawczych i konserwatorskich

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Gutowska-Dudek K., Modzelewska E., Strombek J., Kozakiewicz P.

Studia Wilanowskie

2019

vol. XXVI

119-152

A valuable work associated with the output of Raphael is extant in the collection of the Museum of King Jan III's Palace at Wilanów. It constitutes a repetition of The Holy Family, a work by the Urbino master which used to be located in the church of Santa Maria del Popolo in Rome and which has been considered lost. The painting, also known as the Madonna del Velo, is now believed to be one and the same as The Holy Family or, as an alternative name, La Madone de Lorette, currently in Musée Condé in Chantilly. The history of Raphael's original is complex and often mysterious. Over a hundred of its copies and variants are known. Enchanted with the beauty of this work, Cardinal Paolo Emilio Sfondrati (1560-1618), a presbyter of the church of Santa Cecilia in Trastevere, purchased it in 1591 and allegedly commissioned two copies of it for his brothers. The author added the figure of an angel and a portrait of the cardinal to Raphael's original composition. The links known to have existed between Cardinal Sfondrati and the outstanding Baroque painter Guido Reni (1575-1642), as well as extant drawings and prints, have promoted the conjecture that he might be the author of this exceptional work. However, an exhaustive study of Guido Reni's output and a careful investigation of archive materials in Poland and in Italy are required to determine its authorship. The painting arrived in Wilanów around the middle of the 19th century, when the palace was owned by Count and Countess August Potocki. Four articles pertain to one of the most interesting, and most valuable, paintings in the Wilanów collection, the Madonna del Velo, discussing various issues linked with its history, its study and its conservation. The Wilanów version is particularly interesting because of its high artistic quality and the fact that it shares some stylistic features with works by Raphael considered to be its prototypes. The technological structure of the Wilanów painting and the materials used in its making were investigated in the course of a research project and with the involvement of many scholars representing various areas of expertise. Analyses were conducted which made it possible to describe the board used as the painting surface, the pigments and the binding agents of the painting's layers, which is of considerable importance in further research on the workshop that produced the work. An account of the recent conservation interventions involving this painting is appended to the material.

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1 Studia Wilanowskie

1 Toruńskie Studia Bibliologiczne

1 Gutowska-Dudek K.

1 Kozakiewicz P.

1 Kłosiewicz M.

1 Modzelewska E.

1 Nehring G. B.

1 Pronobis-Gajdzis M.

1 Strombek J.

1 2019

1 2017

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Rola zabytkoznawczej analizy wartościującej w ustalaniu priorytetów konserwatorskich. Przypadek księgozbioru starych druków z opactwa Benedyktynek w Żarnowcu

Madonna del Velo z przedstawieniem kardynała Paola Emilia Sfondratiego ze zbiorów wilanowskich w świetle ostatnich prac badawczych i konserwatorskich