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Umberta Eco powieści profesorskie

100%

Soliński W.

Zagadnienia Rodzajów Literackich

2015

vol. 58/116 z. 2

87-98

The object of this analysis are the currently available literary works of Umberto Eco's as different manifestations of the so-called professorenroman (academic novel). Using the concept of the professorenroman as a starting point, the author claims that none of the Italian author's novels falls within this genre. Moreover, the concepts of an academic novel or a campus novel are also insufficient when it comes to Eco's books analysis. In order to popularise his own research Eco makes use of various literary, syncretic and non-literary genre patters, both the contemporary and the old ones. He is also often testing different theoretical literary concepts constructed by him or other authors. A characteristic feature of many of his novels is their cognitive over-informativeness, which on one hand hinders their reception, on the other signals methodological and methodical problems present in the study of humanities.

Przedmiotem analizy są tutaj wszystkie aktualnie dostępne literackie dzieła narracyjne Umberta Eco jako różne przejawy tak zwanej powieści profesorskiej. Wychodząc od fundamentalnego pojęcia Professorenroman, autor dowodzi, że żadna z powieści włoskiego autora nie stosuje się do tego gatunkowego wzorca. Niezbyt przydatne do ich analizy okazują się także pojęcia academic novel i campus novel. Misję popularyzacji, najczęściej własnych, badań naukowych realizuje Eco wykorzystując, w powieściach najróżniejsze literackie, synkretyczne i nieliterackie formy gatunkowe: z przeszłości i współczesności. Sprawdza również w praktyce powieściopisarskiej, w zależności od potrzeb, teoretyczne koncepty literaturoznawcze własne i cudze. Cechą charakterystyczną niektórych jego powieści jest ich poznawcza nadinformacyjność, która nie ułatwiając ich odbioru, sygnalizuje równocześnie problemy metodologiczne i metodyczne nurtujące humanistyczne badania naukowe.

A chi assomiglia Elena Ferrante? Un profilo stilometrico aggiornato

80%

Cortelazzo M. A., Tuzzi A.

Italica Wratislaviensia

2020

issue 11.1

123-141

Based on a corpus including 150 novels by 40 authors, a stylometric survey was conducted to assess which modern authors were similar to Elena Ferrante, the pen name used for eight novels, including "My Brilliant Friend" (Tuzzi & Cortelazzo 2018a and 2018b). The survey proved that Elena Ferrante’s writing style is remarkably different from that of the other main contemporary Italian novelists with the notable exception of Domenico Starnone. Follow-up studies (Cortelazzo, Mikros & Tuzzi 2018 and another under way) show that non-fiction works signed by Elena Ferrante may be attributed to different authors, i.e., Anita Raja, Starnone again, and a collective author including the staff of the E/O publishing house. This study complements the results obtained by previous research by assessing Elena Ferrante’s role in modern Italian fiction following the publication of her latest novel, "The Lying Life of Adults". In addition, the analysis of her similarities to Domenico Starnone was enhanced by means of a larger corpus of his novels, thus corroborating the outcome of previous research.

Sulla base di un corpus di 150 romanzi di 40 autori, abbiamo condotto un’indagine stilometrica, per valutare quali autori contemporanei risultassero più vicini a Elena Ferrante, pseudonimo con cui sono stati firmati otto romanzi, tra cui "l’Amica geniale" (Tuzzi & Cortelazzo 2018a e 2018b). L’indagine ha dimostrato che lo stile di scrittura di Elena Ferrante è notevolmente diverso da quello degli altri principali romanzieri italiani contemporanei, con la sola eccezione di Domenico Starnone. Studi successivi (Cortelazzo, Mikros & Tuzzi 2018 e in preparazione) hanno mostrato che, invece, le opere non letterarie firmate da Elena Ferrante possono essere attribuite ad autori diversi, tra i quali Anita Raja, di nuovo Starnone e autore collettivo costituito dallo staff della casa editrice E / O. Questo studio integra i risultati delle ricerche precedenti, aggiornando la collocazione di Elena Ferrante nel panorama contemporaneo, in seguito all’uscita del suo ultimo romanzo ("La vita bugiarda degli adulti") e affinando lo studio delle similarità con Domenico Starnone, utilizzando un corpus più ampio di opere di questo autore. Risultano rafforzati i risultati delle ricerche precedenti.

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Umberta Eco powieści profesorskie

A chi assomiglia Elena Ferrante? Un profilo stilometrico aggiornato