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  1. 1 Postscriptum Polonistyczne

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  1. 1 Kowaczewa A.

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  1. 1 2013

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Koncepcja przekładu artystycznego Dory Gabe i jej odzwierciedlenie w korespondencji z Anną Kamieńską

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Kowaczewa A.
Postscriptum Polonistyczne
|
2013
|
issue 2(12)
257-273
EN
Dora Gabe’s concept of translation as a product and creative practice was formed by her cooperation with one of the most prominent Bulgarian scholars – Boyan Penev. Later on, after Penev’s death, the poetess has changed and modified her understanding of the process of translation significantly. In this article the author claims that a corporeal experience of the process of translation, spontaneity and a consciously recognized need to cooperate with the author are the most important characteristics of Gabe’s own translational project. Gabe’s long-lasting correspondence with Anna Kamieńska shows all those characteristics and proves that in the late period of Gabe’s work translation was a way to establish a feeling of com-munion and transgress her cultural and artistic identity.
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