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1

Teatralna „moda na Rosję”. Współczesna dramaturgia rosyjska na scenach polskich (po roku 1989)

100%

Semczuk M.

Acta Polono-Ruthenica

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2008

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vol. Tom 1 Nr XIII

169-180

EN

Since the political tranformations in Poland in 1989, theatre has been the only area, not affectedby the hostile attitude towards Russian culture.Initially, that is the years 1989-1995, the changes made Russian literature disappear from thePolish artistic marked completely. Only the second half of the last 20th century decade balance to it.The slighttest fluctuactions have been noticed at the theatre, where Russian art is the second mostpopular after Polish.In the beginning of 21th century the new Russian literature and the new Russian drama are verypopular in Poland.

2

Драматургия движения „Новая драма” и кризис идентичности: социокультурный и литературоведческий аспект

80%

Bolotyan I.

Acta Polono-Ruthenica

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2009

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vol. Tom 1 Nr XIV

25-35

EN

„New Drama” is the name of a theatrical-dramatic movement born in Russia in the end of XX beginning of XXI century. It brings together many authors, directors and actors. The article describes principal representations of the reality appearing in the contemporary Russian dramaturgy: the category of violence and the dramatic „image of the identity crisis”. Representations of four types of identification are discussed: essential, social, cultural and spiritual - which are the basis of the first typology of the New Drama’s conflict situations, characters and plots.

3

Powrót do korzeni. Władimira Sorokina język pozarozumowy

70%

Mięsowska L.

Acta Universitatis Lodziensis. Folia Litteraria Rossica

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2013

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vol. Zeszyt specjalny 2013

185-198

EN

The article is an attempt to show connections of Vladimir Sorokin with OBERIU’s tradition as well as Russian futurism. The dramatist experiments with language creating his own version of postmodern zaum, thanks to that he can be called a real “word manipulator” (D. Tokariev). In this way Sorokin is always situated on the border of two orders: the past and the future one. At the same time he is an inheritor and continuator of Daniil Kharm’s theatre of the Absurd, on the other hand he is also an innovator who introduces dramatic genre into the stage of surprising, aesthetic experiments.

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2 Acta Polono-Ruthenica

1 Acta Universitatis Lodziensis. Folia Litteraria Rossica

1 Bolotyan I.

1 Mięsowska L.

1 Semczuk M.

1 2013

1 2009

1 2008

Teatralna „moda na Rosję”. Współczesna dramaturgia rosyjska na scenach polskich (po roku 1989)

Драматургия движения „Новая драма” и кризис идентичности: социокультурный и литературоведческий аспект

Powrót do korzeni. Władimira Sorokina język pozarozumowy