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Global Space Security and Counter-space Capabilities: the Legal and Political Challenges

100%
Polkowska M.
Adam Mickiewicz University Law Review
|
2019
|
vol. 9
101-120
EN
This article undertakes a very sensitive issue: space security and counterspace capabilities and arms control. Those issues come under the sovereignty of each state and are strictly connected to national defense and policy. Counterspace, also known as space control, is the set of capabilities or techniques that are used to gain space superiority. Space superi-ority is the ability to use space for one`s own purposes while denying it to an adversary. These issues are so important now in the era of fast-growing state activities in space and under such a big dependence on space. Anti-satellite weapons (ASAT) are a subset of offensive counterspace capabilities, although the satellite itself is only one part of the system that can be attacked. That is the reason why protecting space infrastructure, in the absence of stabilized international space control cooperation and difficulties in reaching an agreement on PPWT treaty and lack of progress of international space law in this matter, is crucial by building the Space Situational Awareness system. Collaboration of states in this matter seems to be a priority.
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Counterspaces of Resistance: Peter Carey’s Bliss

75%
Klonowska B.
Anglica. An International Journal of English Studies
|
2021
|
issue 30(1)
67-78
EN
The article discusses how Peter Carey’s 1980 novel Bliss constructs and exam- ines various counterspaces both in and beyond the text. First, it shows how the plot jux- taposes the consumerist middle-class suburban model of life with an alternative lifestyle, presenting the attractions and limitations of both, yet preferring rather the latter. Secondly, at the level of literary convention, the text activates the strategies of comic social realism only to juxtapose them with elements of fantasy, fairy tale and myth, thus undermining the representational powers of the former and hinting at other possibilities of representation. Finally, the film adaptation of the novel shows how even rebellious or critical texts may become ‘domesticated’ or absorbed by the dominating logic of cultural production, thus once again demonstrating the ambivalent position of works of art in general, and this nov- el in particular. The article argues that the ambivalence engrained in the text is an intrinsic feature, not only of Australian culture or heterotopias but of most cultural products and practices inevitably entangled in the double logic of conforming and resistance.
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