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Public banking for the cultural sector: financial instruments and the new financial intermediaries

100%
Monclus R. P.
International Review of Social Research
|
2015
|
vol. 5
|
issue 2
88-101
EN
The use of financial instruments by the public sector to support the cultural and creative field is a rising trend. At a national and supranational level, public bodies are increasingly employing financial instruments, such as loan guarantees, to facilitate debt financing to creative organisations. This paper attempts to contribute to the understanding of these changes. It explores the logic of public intervention underpinning the emergence of this phenomenon in four distinct polities; France, Spain, the United Kingdom (UK) and the European Union (EU), as well as their mutual influences. It does so from a historical perspective, placing special attention to economic, political and ideational factors. The article concludes by arguing that although financial instruments cannot be considered as novel mechanisms, the intensity under which they are currently being advanced may signal towards a profound change for the governance of the cultural sector.
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ARTS AND CRAFTS AND UN SUSTAINABLE DEVELOPMENT GOALS

72%
Gudowska B.
International Journal of New Economics and Social Sciences
|
2020
|
vol. 11(1)
277-288
EN
The purpose of this article is to show the links between arts and crafts and the 2030 Sustainable Development Goals established by the United Nations. The UN aims to cover the most important challenges that humanity and the global economy must face in the nearest future, such as poverty, hunger, health, access to education, climate change or sustainable development. According to the author, arts and crafts, although it is a narrow field listed within the group of cultural and creative industries, can contribute to achieving the goals of the UN, positively influencing, among others on employment, fair trade and ethical production. arts and crafts, handicrafts, United Nations, sustainable development, global economy, sustainable development goals, cultural and creative industries, inequalities rzemiosło artystyczne, Organizacja Narodów Zjednoczonych, zrównoważony rozwój, gospodarka globalna, cele zrównoważonego rozwoju, przemysły kulturalne i kreatywne, nierówności
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Konceptualizace kulturních a kreativních průmyslů a vývojová dynamika odborné terminologie

58%
Lehečková E.
Studie z aplikované lingvistiky - Studies in Applied Linguistics
|
2013
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vol. 4
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issue 2
57-81
EN
The paper deals with the development of specialized terminology in the field of cultural and creative industries. The first part, based on the Theory of Language Management and Critical Discourse Analysis, surveys how speakers in the field reflect the terminology and problems imposed by its use. The analysis focuses on a particular controversy in the nature of cultural and creative industries and its implementation in the Czech Republic (Gajdoš, 2010; Cikánek, 2011; Gajdoš, 2011). The second part scrutinizes the key collocation term kulturní a kreativní průmysly and its terminological variants. It investigates how the lexical components of the terms are used in Czech, what their common collocations are and what connotations they induce. The study shows how these properties affect the overall process of terminologization.
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