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Dějiny katedry psychologie Filozofické fakulty Univerzity Karlovy v P raze:

100%
Hoskovcová S., Černá M., Šikl R.
Československá psychologie (Czechoslovak Psychology)
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2020
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vol. 64
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issue Supplement
62-73
EN
The problems of society reflected in psychological way of thinking can be captured in the publications of thinkers working at the Charles University in Prague since its foundation in the 14th century. The authors consider the second half of the 19th century to be the period of the establishment of scientific psychology as an independent discipline. At the Charles University in Prague, the founding personalities taught at the Faculties of Philosophy and Medicine. The psychological seminar at the Faculty of Arts of Charles University was founded in 1921 and was led by František Krejčí. After World War II, the psychological seminar and a psychological institute coexisted at the Faculty of Arts side by side. In 1950, the two workplaces were merged and in 1951, a separate department of psychology was established. At the time of normalization, the Prague department was divided into four departments in 1975, following the example of the Faculty of Psychology of Moscow State University. In 1980, the department was reunited and its structure is basically preserved to this day.
CS
Problémy společnosti reflektované psychologickým způsobem myšlení lze zachytit v publikacích myslitelů působících na Univerzitě Karlově v Praze už od jejího založení ve 14. století. Za období vzniku vědecké psychologie jako samostatné disciplíny je považována druhá polovina 19. století. Na pražské Univerzitě Karlově zakladatelské osobnosti učí na fakultě filozofické a lékařské. Psychologický seminář na Filozofické fakultě Univerzity Karlovy byl založen roku 1921 a vedl ho František Krejčí. Po 2. světové válce vedle sebe na Filozofické fakultě paralelně existovaly psychologický seminář a psychologický ústav. V roce 1950 byla obě pracoviště sloučena a v roce 1951 vznikla samostatná katedra psychologie. V době normalizace dochází v roce 1975 k rozdělení pražské katedry po vzoru Fakulty psychologie Moskevské státní univerzity na čtyři katedry. V roce 1980 byla katedra opět sjednocena a její struktura zůstává v zásadě zachovaná do současné doby.
2
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Díla Jana Marka Marci z Kronlandu ve fondu 1. lékařské fakulty Univerzity Karlovy:

84%
Ivánková M., Pulkrábek J.
Knihy a dějiny (Books and history)
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2020
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vol. 27
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issue 1-2
218-239
EN
This paper provides an overview of findings from recent analyses of a part of the rare book collection possessed by the First Faculty of Medicine at Charles University that encompasses Johannes Marcus Marci of Cronland’s work. The collection of Marci’s texts as a whole had not been studied thus far. The rigorous research conducted revealed that ten publications bound in six volumes represent a full cross-section of Marci’s work. Moreover, this collection is remarkable because of its exceptional artistic value and fine typography. Marci’s texts were published by prestigious Prague printers - either individual ones or by institutional print shops (the Jesuit print shop or the Archbishop’s print shop). These printers were able to meet the need for complicated typesetting and to produce the demanded number of copper engravings to accompany the text with fine illustrations so the result would be worthy of the author’s status. The present study also gives a full bibliographical description of the “sammelband” bound together as a single volume with the other four titles (shelfmark K2508a). This collection of Marci’s major works (originally only four) had a fifth added after 1654. The handwritten notes in the margin showed renewed interest in this scholar that appeared in the Czech lands in the 18th and 19th centuries. The First Medical Faculty’s collection of Marci’s works is not complete and does not include all his medical treatises, but it does reflect the breadth of his oeuvre. The provenance research proved that three volumes were part of a carefully curated book collection built up by Friedel Pick, a professor at Charles University. These print artefacts significantly enrich the faculty’s collection of early printed books and deserve further inquiry.
3
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Jaroslav Bidlo and Milada Paulová: On the Institutionalisation of Czech Historical Slavonic Studies in the First Half of the Twentieth Century

67%
Ďurčanský M., Brádlerová D.
Historia Slavorum Occidentis
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2022
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issue 4(35)
196-228
EN
This study follows the academic careers of Jaroslav Bidlo and Milada Paulová, focusing on their organisational activities in the realm of historical Slavonic studies. Both were professors of general history, specialising in the history of Eastern Europe and the Balkan Peninsula at the Faculty of Philosophy (Charles University, Prague). Their names are thus tied to the development of Czech historical Slavonic studies since their beginnings in late 19th and early 20thcenturies until the 1960s.
4
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History of popular music research in the Czech lands and Hungary : contexts, parallels, interrelations (1918-1998)

67%
Blüml J., Ignácz Á.
Hudební věda (Musicology)
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2022
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vol. 59
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issue 2-3
149-213
EN
Popular music scholars generally agree that the popular music studies discipline emerged between the mid-1970s and the early 1980s in Western Europe and North America, mainly on the initiative of young sociologists, and that it focuses primarily on modern pop-rock music. Many academics from the former Eastern bloc countries share this narrative. Consequently, the history of popular music’s systematic exploration in this region remains largely unknown. Recent years, however, have witnessed growing interest in the history of popular music research in East-Central Europe, as shown by a few (Czech, Slovakian, Polish, and Hungarian) texts, albeit focusing exclusively on local issues. The present study is the first to deal with the history of popular music research between 1918 and 1998 in a wider Central European context, and the Czech lands and Hungary in particular. It provides a detailed analysis of an extensive collection of Czech and Hungarian sources (archival materials and published texts of both an academic and non-academic nature – monographs, individual studies, articles in popular music magazines, and so on). It aims to show the specifics of theoretical reflection on popular music in both states and the manner and extent of the contacts between the respective scholarly communities in light of developments in popular music and cultural policy.
CS
Badatelé zabývající se populární hudbou se obecně shodují, že obor „Popular Music Studies“ vznikl zejména z iniciativy mladých sociologů na přelomu sedmdesátých a osmdesátých let 20. století na Západě, a to jako disciplína primárně zkoumající moderní populární hudbu, jakou je rock a pop. Takový výklad sdílí také řada akademiků ze zemí bývalého východního bloku. V důsledku této skutečnosti zůstává historie systematického výzkumu populární hudby v původních socialistických zemích z velké části neznámá a neprobádaná. Zájem o dané téma registrujeme teprve v posledních letech, což dokládá několik dílčích textů (českých, slovenských, polských a maďarských), které se však zaměřují výhradně na lokální problematiku. Předložená studie je vůbec prvním uceleným pojednáním, které sleduje dějiny výzkumu populární hudby jak v širším středoevropském kontextu, konkrétně na příkladu české a maďarské situace, tak na delší časové ose 1918–1998. Studie se opírá o detailní analýzu rozsáhlého souboru českých a maďarských pramenů (archivních materiálů, publikovaných textů akademické i mimoakademické povahy – monografií, dílčích studií, článků v populárně hudebních magazínech apod.). Jejím cílem je ukázat specifika teoretické reflexe populární hudby v obou vybraných zemích, způsob a rozsah kontaktů mezi vědeckými komunitami daných zemí, to vše ve světle vývoje populární hudby i kulturní politiky.
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