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Dance in tourism from an anthropological perspective: An introduction to the research issue

100%
Banio A., Malchrowicz-Mośko E.
Turyzm
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2019
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vol. 29
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issue 1
15-21
EN
Nowadays, dance plays an important role in the modern tourism industry. Today, the craze for dancing creates great opportunities for cultural tourism. However, it should be remembered that there is a great danger of losing the most important meaning of dance by commercializing and reducing its essence. Dance tourism as discussed in the article is understood as travel for the purpose of learning about dance and its culture in places where given dance styles were born, or where they play an important national role as well as enjoying great popularity among the local community. This article is an introduction to the issue of dance tourism in an anthropological context. It presents potential attractions related to dance in the perspectives of cultural and sports tourism, it has an illustrative and descriptive character while its method is a literature review and presentation of popular examples.
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Kuduro – taniec młodego pokolenia Angoli. Charakterystyka zjawiska

88%
Marsal Cabitango M.
Studia Etnologiczne i Antropologiczne
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2016
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vol. 16
201-214
EN
Kuduro is a type of music and dance which was created in the capital city of Angola (Luanda) at the end of 1980’. It combines batida with electronic music such as techno and house and also with rap, originating from US. The paper presenting this type of dance starts with its general characteristic, then continues describing factors influencing current shape and functions of kuduro. Next, we present in details the movements of this dance and conclude with an overview of the dance forms and the definition of kuduro dance which summarize the information presented in the paper.
3

On Research and Access to Cultural Heritage in Slovakia on the Example of the Process of Writing an Ethnochoreological Monograph

75%
Babčáková K.
Národopisná revue (Journal of Ethnology)
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2022
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vol. 32
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issue 2
125 - 137
EN
The paper presents an example of methodological approach to ethnochoreological research and exploitation of material in a monographic publication in the field of applied ethnochoreology. The methodological approach was based on ethnochoreological and ethnomusicological archival, rescue and return qualitative field research on dance-singing expressions that are functionally connected with the calendar cycle and that disappeared in Slovakia during the 20th century. The research results were subjected to a contextual analysis inspired by the methodological approach of dance and symbolic anthropology. In order to potentially apply scientific knowledge to the practice of formal and non-formal education, it also presents a proposal for a methodological procedure by implementing the knowledge of constructive dance pedagogy. The introduction reflects the broader context of the state of ethnochoreological research and education in folk dance in Slovakia.
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